If this indicates Zak Snyder‘s approach to Man of Steel then I feel an emotional deflation coming on. From the soundtrack, at least. Male choral singing in Crimson Tide, okay. Titanic-styled choral singing here…to what end? An attempt to nudge if not goad the audience into spiritually reinvesting in a spent comic-book fable that began the year that Angels With Dirty Faces was released? Greenlighted solely because of brand familiarity and therefore a presumed lock to appeal to Joe and Jane Popcorn?
A second reboot of an iconic franchise that began as a kind of remake (certainly an ongoing reimagining) in 1978 with the Chris Reeve series…eyes flat, pulse weak. This is Big Brother-ism.