Nikki Finke doesn’t get into why Orlando Bloom has decided not to follow former ICM agent Chris Andrews in his move to CAA, focusing instead on this and that backroom agency intrigue. Bloom didn’t stick with Andrews because ’05 was a tremdously crappy year for him, as this Sharon Waxman article that ran last January pointed out, and he had to try something different just to shake up the karma…right? What other explanation could there be?
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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