Joyce Carol Oates, author of “Blonde: A Novel”, isn’t altogether wrong about Steven Spielberg’s The Fabelmans, and there’s no arguing that in terms of delivering a tough, unsparing biopic within an artful impressionistic realm, Andrew Dominik’s Blonde is a lot more probing and less inclined to turn the other cheek. But almost everyone dislikes Dominik’s film for its heartlessness, and that’s always the bottom line. Heart always wins.