Okay, all right…the Butterscotch Stallion, the Butterscotch Stallion, the Butterscotch Stallion…the whirlwind holy-hell Butterscotch Stallion! It’s like one of those songs
that get into your head and you can’t flush out to save your life. I paid no attention to the original “Page Six” item when it ran a week ago last Tuesday (6.21) but now it’s stuck in my head and it won’t go away. And here comes The Wedding Crashers (New Line, 7.15) to keep it all going.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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