Cuaron on borders

“My hope for the future is for people to start cutting loose from [their] geographic roots, to begin moving towards a state of freedom, of rootlessness. I feel this is what someone like Alejandro Gonzalez Inarritu has already done. By shooting Babel in Morocco and Japan, you could say that he was leaving his roots and finding his identity.

“I have a huge appreciation of backgrounds. What I have a problem with is borders. The language of cinema is cinema itself: it doesn’t matter whether it is filmed in Spanish or English or French or Japanese. The same goes for the people who make it. Yes, I’m a filmmaker from Mexico. But I also belong to the world.” — Children of Men director Alfonso Cuaron, writing in the Guardian.

“Kingdom” delayed

Variety‘s Ian Mohr reported yesterday that Universal will delay Peter Berg‘s The Kingdom, an FBI guys-vs.-terrorists actioner, from April 20 to September 28 “in order to build momentum for the Mideast-set drama. The Michael Mann-produced flick costars Jamie Foxx, Jennifer Garner and Chris Cooper. Universal marketing guy Adam Fofgelson said the studio decided to delay after gauging reactions to the film “during recent tests in Sacramento. ‘We had screenings at the high end of extraordinary. The big and obvious points of the film worked, but also a great deal of its subtlety had an immense impact on audiences.'”

Alfonso is sick

There’s a question about whether Children of Men director Alfonso Cuaron will be attending Wednesday evening’s “Three Amigos” press party. Word from Pan’s Labyrinth director Guillermo del Toro, who will most definitely attend, is that Alfonso is sick with a London flu (along with his family) and was under the weather as of Tuesday morning. “He could still make it,” says Guillermo. “I’ll know in the morning. I hope he does. It would be the sweetest.”

Losing can be good

“We’d like to feel insecure when we go to make our next movie. Losing [the Best Picture Oscar] might be the best thing for us.” — Little Miss Sunshine co-director Valerie Faris, as passed along by N.Y. Times Oscar guy David Carr (a.k.a., “the Bagger”).

Masters on Grey vs. Spielberg

Slate‘s Kim Masters has written about Steven Spielberg‘s (and the DreamWorks team’s) conflicts with Paramount chairman and reputed credit-hog Brad Grey. It’s a brewing, building tempest and apparently leading somewhere. Truth be told, I’m so unmoved by this territorial spat I was barely able to type this out.

Carrey meltdown

“Moody and unpredictable, Jim Carrey has long been one of the world’s most bankable actors,” reads the headline copy for Kim Masters‘ just-published Radar magazine hit piece. “But last year, as reports of his bizarre behavior and on-set tantrums circulated through Hollywood, several of his major projects imploded. Has America’s class clown soured on the shtick that made him famous? Or have the studios soured on him?”

No connections

Dreamgirls fails to land a Best Picture and Best Director nomination, and two weeks later the two biggest publicity people on the Dreamamount lot — Nancy Kirkpatrick and Eric Kops — announce they’re leaving to start their own firms. On top of Dreamgirls Oscar strategist Terry Press announcing the same thing two or three weeks earlier. But there’s absolutely no connection, I’m told. Kops wants to produce, not publicize, and Kirkpatrick has been rumored to be exiting her post since Sherry Lansing left the lot.