The images in Pedro Almodovar‘s films are always luscious, sensuous, refined to perfection. Paying $200 to own 600 of them (including some never-before-published personal photos) to have and hold seems like a good deal to me. Taschen’s “The Pedro Almodovar Archives“, edited by Paul Duncan and Barbara Peiro, will hit stores on the same day that The Skin That I Live In (Sony Classics, 10.14) opens.