Today’s scholastic exercise to is to sift through Eugene Hernandez, Brian Brooks, Peter Knegt and Andy Lauer‘s “Cannes Wish List” piece on Indiewire and try and pick out the titles that weren’t mentioned in Mike Goodridge‘s Cannes forecast article in Screen International than ran seven weeks ago.
Sidenote: Atom Egoyan‘s Chloe just wrapped so it’ll be quite the feat if it plays in Cannes six weeks hence.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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