To me, the most interesting thing about Caryn James‘ 2.15 N.Y. Times article about how the Oscar nominees for Best Feature Documentary are “where the action is” — politically charged, focused on conflict, urgent messages — is the flames-of-hell photo from Charles Ferguson‘s No End in Sight.
The richest quote comes at the end when James asks Ferguson if the nomination [is] having any effect on his film. He says he has no evidence of this but adds: “If the film wins, there will be one effect. I will have about 60 seconds to say something about Iraq to 200 million people, and I will.”