This is several days old and yesterday’s news, but a 2.28 Hollywood Reporter piece by Stephen Galloway that derided the echo chamber of Oscar punditry and the failure of the know-it-alls to foresee Moonlight‘s Best Picture win (“Why the Pundits Were Wrong With the La La Land Prediction“) was wrong in two respects.

One, whoda thunk it? Even now I find it perplexing that Moonlight won. A finely rendered, movingly captured story of small-scale hurt and healing, it’s just not drillbitty or spellbinding enough. I wasn’t the least bit jarred, much less lifted out of my seat, when I first saw it at Telluride. It’s simply a tale of emotional isolation, bruising and outreach and a world-shattering handjob on the beach…Jesus, calm down.

As I was shuffling out of the Chuck Jones I kept saying to myself “That‘s a masterpiece?” (Peter Sellars, sitting in front of me, had insisted it was before the screening started.) If there was ever a Best Picture contender that screamed “affection and accolades but no cigar,” it was Moonlight. And the Oscar pundits knew that. Everyone did. So I don’t know what happened — I really don’t get it. I’ve already made my point about Moonlight in the Ozarks. It’s just a head-scratcher.

And two, Galloway’s contention that only pipsqueaks with zero followings were predicting or calling for a Moonlight win is wrong. As I noted just after the Oscars, esteemed Toronto Star critic Pete Howell and Rotten TomatoesMatt Atchity were predicting a Moonlight win on the Gurus of Gold and Gold Derby charts. As I also noted, Awards Daily‘s Sasha Stone hopped aboard the Moonlight train at the very last millisecond, although she stuck to La La Land for her Gurus of Gold ballot. These are facts, and Galloway’s dismissing Howell and Atchity was an unfair oversight.