I also strongly disagree with Rope of Silicon‘s Brad Brevet in his view of Anna Karenina. Joe Wright‘s film is a breath of fresh air in the historical-drama genre, and a knockout in terms of design, choreography, performances (especially Keira Knightley and Jude Law‘s) and general audacity. It’s a contact high. But in trashing one of the year’s finest Brevet at least uses moderate language, unlike N.Y. Times critic Manohla Dargis did the other day.
![](/images/column/toronto2012/ambition.jpg)
![](https://hollywood-elsewhere.com/wp-content/themes/amory/patreon-banner.jpg)