What’s the point of running a tribute to the original 1965 George Lois Esquire cover with Virna Lisi? It meant something in the mid ’60s, sort of — obviously a faint provocation or taunt aimed at forward-thinking women — but what does it mean for Jessica Simpson to repeat it for the May issue? Nothing. The Esquire website, which is always behind the curve, doesn’t even mention it.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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