Jonah Hill and Seth Rogen (not Judi Dench or Halle Berry) handing out the Best Sound Editing and Sound Mixing Oscars. The Bourne Ultimatum wins the Best Sound Editing Oscar. (HE reader Zay Tonday who predicted No Country to win today at 02:41 PM was wrong! Big mouth!) The Best Sound Mixing Oscar goes to The Bourne Ultimatum again. Mildly surprising. Somewhat.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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