I am very frankly not looking forward to contemplating Mickey Rourke‘s face when I get around to see Darren Aronofsky‘s The Wrestler, which will be the closing-night attraction of the upcoming New York Film Festival. The guy used to be an acting God in the ’80s, but he’s had so much work done that there’s almost an instinct to turn away and look elsewhere when he appears in something. On my part, at least. And he used to be beautiful in a rugged, battered-Brando sort of way.