I’m not saying I’m so enthralled by James Marsh‘s Oscar-winning Man on Wire that I’m unwilling to absorb another, just-as-mesmerizing impression of Philippe Petit‘s 1974 World Trade Center feat.  Robert Zemeckis‘s The Walk (TriStar, 9.30) might just do that.  I would love it if Zemeckis somehow re-charges the story; I just don’t see how it can turn out better than Marsh’s doc. (I’ve heard from a friend that it’s a little dicey in the first half, but the second half is pretty great.) The Walk will have its first big showing at the New York Film Festival eight days hence, or on 9.26. Select journos are naturally expecting some kind of simultaneous L.A. screening.