The Film Before The Film, created by Nora Thoes and Damian Perez, Berlin-based students at the BTK University of Applied Sciences, and running 9 minutes plus 2 and 1/2 minutes of end credits, covers the evolution of main-title sequences. Nothing stunning but a solid comprehensive job. No mention of Saul Bass‘s Ocean’s 11 titles sequence? I’ve always hated those laser blue titles used for the Salkind’s ’78 Superman…too slow, repetitive and show-offy. (Posted this morning by Slashfilm‘s Peter Sciretta.)