Indications are that Paul Feig‘s The Housemaid, based on Freida McFadden‘s three-year-old novel, a feminist potboiler that has since grown into a multi-book franchise, is going to be a bit of a groaner…perhaps even a forehead-slapper.

All feminist airport fiction is based upon a single premise, which is that the principal male character is a toxic piece of shit who has made his own bed and deserves all the bad karma that’s sure to come his way.

It certainly seems unlikely that Feig’s film will deliver the intrigue and complexity of Im Sang-soo‘s The Housemaid (’10), which I recall as being half-decent.

Both versions have vaguely similar plots with the husband banging (or at least looking to bang) the housemaid, and the wife freaking out and the usual blowback kicking in.

The Housemaid costars Sydney Sweeney as the titular character; Amanda Seyfried and Brandon Sklenar (the bearded, nice-guy suitor in It Ends With Us) are her wealthy employers.

Feig began filming The Housemaid only a couple of months ago; Lionsgate will open it on 12.25.25.

Fake dialogue: “I may not belong here, but I’m not leaving without the truth.”