I predicted this, and now it’s spreading like a virus. The lemming mentality has taken hold, and there’s just no stopping regional critics groups from giving The Artist their Best Picture prizes. Too many big-city groups (New York Film Critics Circle, Boston Film Critics Society, New York Film Critics Online) have already tumbled, and everyone wants an easy choice that Joe Schmoe can appreciate. The Las Vegas Film Critics Society is the latest to blindly follow the path of least resistance.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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