The less money you have to work with, the more visually creative you’re forced to be. (And vice versa.) And yet Mark Romanek (One-Hour Photo) recently walked off Universal’s The Wolfman (i.e., the Benicio del Toro vehicle) because, according to a Nikki Finke item, “He’s a purist, an artiste, an exquisite craftsman, but he just had a budget schedule” — a reported $100 million — “he couldn’t accomodate…he just blew the opportunity of a lifetime.” This doesn’t add up at all. Nobody’s consumed by that much hubris…are they?