“That ready-to-fly moment is happening for Austin, and I know because we went to the Met Gala together,” Baz Luhrmann said. “As soon as we got on the red carpet, there was keening from fans. Not just screaming — keening. I’ve only heard that sound once before. I was with a young actor whose name was Leo.” He was referring to a pre-Titanic DiCaprio, then quivering hearts in Luhrmann’s Romeo + Juliet.” — from Brooks Barnes‘ 5.25 N.Y. Times profile of Elvis star Austin Butler.
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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