And why an alarming percentage of them, against all concepts of reason and decency, are talking about voting for The Beast. It’s because of this shit.
There isn’t a single line in this essay (“Identity Politics Is Ruining Entertainment“) that isn’t truthful, and yet the Hollywood Elsewhere community of psychotic reality deniers (Castor Oil, etc.) will almost certainly come after this with a hammer and chisel.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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