A guy who’s always talking to Academy members says they’re mentioning Amour a lot. On its own, no prompting. I’m mentioning this in the wake of Michael Haneke‘s film having won four European film awards today — Best European film, best director, actor and actress. And I’ve seen it three times now (once in Cannes, once at a screening, once on a screener). So I’m reading the signs and feeling the juju and I don’t know what else.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
More »
Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
More »
Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
More »
Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
More »
A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
More »
I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
More »