"I don't know who I am," former heavyweight champ Mike Tyson says to N.Y. Times contributor Tim Arango in a 5.11 piece about James Toback's Tyson, a pared-down but altogether touching doc that will show later this week in Cannes. "That might sound stupid," Tyson continues. "I really have no idea. All my life I've been drinking and drugging and partying, and all of a sudden this comes to a stop."

The line this most recalls, of course, is the one from Wim Wenders' The American Friend, spoken to Dennis Hopper...Read More

"I remember seeing Greenwich Village from seven feet up in the air growing up as a kid, because he'd have me on his shoulders and we'd be tripping around. And at a time before underground and independent film became a hot idea, then a dirty word, then a hot idea again as it is nowadays, my dad was making films that influenced a generation of filmmakers.'" -- Robert Downey, Jr., speaking four days ago about his director dad, Robert Downey, Sr., at the "Time 100" celebration at Lincoln Center.

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"I'd almost forgotten I existed. Being selected by Cannes has done wonders for me. I thought working again might have a negative effect and I nearly turned it down, but it's been quite the opposite. My heart beats anew." -- British director Terrence Davies, director of Of Time and City, a low-budget, personal documentary about the changes in Liverpool since his childhood, speaking to the Guardian's Jason Solomon.

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Articles by Maureen Dowd, Robert Novak and Bob Ray Sanders are saying either Barack Obama won't ask Hillary Clinton to be his vice-presidential running mate, or would be wise not to.

Clinton's loathsomeness has become the stuff of legend, yes, and her campaign since the start of the New Hampshire inning has colored her reputation for good. But sometimes in politics you have to hold your nose and make an accomodation with people who may be repugnant in some respects if they can provide what you need. John F. Kennedy didn't pick Lyndon Johnson...Read More

Steven Soderbergh has been doing his frantic last-minute editing of Che at Post Works, a Soho facility on V. ("The best in the world for film and video post-production...no one compares. For real." -- Bob J.) A magazine editor told me over lunch a couple of days ago that he's spoken to a Team Che guy who wonders if they'll finish in time for the Cannes screening on Wednesday, 5.21.

It hit me yesterday afternoon that I had left my passport in my bureau drawer. My flight to Paris leaves Monday at 1:45 pm, so I called Fed Ex and was relieved to hear they could deliver it to my Brooklyn address no later than 8:30 am that morning. So I called the guy who's staying in my place and left a message to please put the passport in an envelope with the Brooklyn address on it, and give it to a Fed Ex pick-up person who would be there between noon and 2 pm yesterday.

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Yesterday my son Dylan and I visited my mom at an old folks' home where she lives in Southbury, Connecticut. I'd been told by a nice woman who works for the facility that my mom, who's been grieving since the recent death of her daughter Laura, was somewhat upset by the presence of her ashes, which she had been keeping in her bedroom closet. So Dylan and I resolved that we would take the remains down to the family plot in a cemetery in Wilton, Connecticut, where our family lived from '64 to '94, and surreptitiously bury them ourselves.

Amy Poehler's delivery of the "my supporters are racist" line got the biggest laugh and even a little applause on last night's SNL. The other two rationales: "I'm a sore loser" and "I have no ethical standards." Not genius-level or even that funny, really, but who would argue this isn't where Clinton is coming from? It's easy, of course, to go with a spot like this now.

The Troma guys are claiming that weekend ticket sales for Poultrygeist, Night of The Chicken Dead tallied reach $12,000 for a single-screen showing at Manhattan's Village East Theater. This is the highest per-screen haul of any film playing anywhere this weekend, they say. A press release says that Poultrygeist was called "a masterpiece!" by an Ain’t It Cool poster, and that CHUD's Jason Pollock has called it "the best film Troma's ever produced, without a doubt.”

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Lena Gieseke's 3-D recreation of Pablo Picasso's Guernica. I'm wondering if any American painters or sculptors have created anything within the last three or four years about the horrors of Iraq? If so, have they appeared at an any galleries?

HE reader Matthew Dessem has sent along a still taken from that first seven minutes of Speed Racer clip that went up last Thursday. He pointed out the numerous duplications that the Wachowski's CG guys copied and pasted to make up the crowd. The same five or six people are everywhere, and nobody is sitting in rows -- they're just thrown together in rough collage fashion. It's no big deal, but I can't recall seeing a frame capture of digital crowd with this many obvious repeats. (Click on the photo caption for a larger image.)

After reading Nikki Finke's well-reported story (last updated yesterday morning) about the temporary SAG shutdown of David O. Russell's Nailed, a Washington, D.C.-based comedy about relationships, politics and morality, I reviewed the Amazon.com information about "Sammy's Hill," the Kristin Gore novel that the script, co-written by she and Russell, is based upon, according to Finke.

There are differences between the book...Read More

In his usual perfunctory way, N.Y. Times reporter Michael Cieply has reported on the bad-internet-buzz-chasing-Indy 4 story ("Indiana Jones Is Battling the Long Knives of the Internet"). He's ignored, however, what may turn out to be the most interesting aspect of reactions to the film.

This, as I wrote two days ago, refers to a possible generation gap with older viewers liking it (or at least finding a place in their hearts for it) and younger viewers being less enthused, at least in part because the film has allegedly been infused with an older guy's (i.e., ...Read More

For years I've made do at the Cannes Film Festival with a regular pink pass, which at least is better than blue and way above yellow. A couple of days ago I found out that I've been slightly upgraded to a pink-with-a-yellow-pastille pass -- the first time this has ever happened despite years of persistent pleading. The highest-grade press pass is all white, but that's a privelege extended mostly (only?) to veteran dead-tree types. Has an online journo ever been granted one? I'm asking.

Am I understanding correctly that Saturday Night Live has just started its political blog? Now they do this? With Amy Poehler's HRC front and center just as the Real McCoy is entering her final cycle? Or is it that people are just starting to notice...?

Accurately or not, the general impression has been all along that Poehler and former SNL costar Tina Fey...Read More

One of HE's fundamental attitude foundations was, after all, laid out in an excerpt from The Film Snob's Dictionary back in the summer of '05 (even if the book itself wasn't in stores until February '06), to wit: "The Film Snob fairly revels, in fact, in the notion that The Public Is Stupid and Ineducable, which is what sets him apart from the more benevolent film buff, the effervescent, Scorsese-style enthusiast who delights in introducing novitiates to The Bicycle Thief and Powell-Pressburger movies."

The Film Department CEO Mark Gill has told Wall Street Journal reporter Lauren Schuker that "the quality of independent films [this summer] is higher, less bleak and dark, and the studio films are more cartoon stuff and less for a college educated audience. Last summer, everybody in my snobby crowd saw the Bourne movie and loved it, [but] this summer there are fewer of those big blockbusters to go to." Is The Dark Knight not expected to appeal to film snobs? I know for sure that Tropic Thunder will. Iron Man...Read More

Remember the days when vampire movies didn't need super powers and the ability to fly in order to compete with other CG thrillers? I do. Their peculiarities aside, vampires used to be shlep around and suck blood somewhat normally. No longer. When did they become flying bullets? Was it with Len Wiseman's Underworld? Before? If vampires can stop cars from slamming into people, does this mean they can also stop falling jumbo jets from slamming into baseball stadiums? Can they now theoretically lift ocean liners out of the water and hurl them into space orbit?

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In its second weekend, Paramount and Marvel's Iron Man has again taken the #1 position. With my California number-guys currently experiencing REM sleep, Fantasy Moguls' Steve Mason is reporting earnings of $14.7 million yesterday with an expected $49 million by Sunday night and 10-day earnings total of roughly or close to $175 million.

Poor Speed Racer, forecast for weeks as a likely disappointment, apparently took in only $6.5 million yesterday and will hit about $23 million...Read More

...but this is a somewhat clever ad, pushing the idea that it's advisable to see an optometrist now and then. The actor playing the driver/would-be recipient does a very good job. The last shot would, of course, never be permitted on American television. So what else is new?

Rope of Silicon's Brad Brevet has posted new stills from three major Cannes attractions -- Steven Soderbergh's Che, Charlie Kaufman's Synecdoche, New York and Fernando Meirelles' Blindness.

God forbid that the Democratic primary fight goes to the Denver convention (which of course it won't), but watch this climactic scene from Franklin Schaffner and Gore Vidal's The Best Man ('64) and ask yourself which of the two present candidates -- Hillary Clinton or Barack Obama -- is closer to the character of Cliff Robertson's Joe Cantwell and which somewhat resembles Henry Fonda's William Russell? (Thanks to HE reader John Muller for passing this along.)

Before zotzing Picturehouse and Warner Independent, Warner Bros. management "did look at various permutations of keeping the companies in discussion," the Hollywood Reporter's Gregg Goldstein and Borys Kit wrote last night, including having Picturehouse chief Bob Berney and WI honcho Polly Cohen co-manage a merged specialty division, "something the execs agreed to do shortly after the New Line absorption was announced, Cohen said."

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Did the cautious-to-a-fault John Edwards say "I just voted for him on Tuesday" or "I just voted for 'em on Tuesday"? The man is a hedger, a tap-dancer, a slick operator, an angler-dangler with no balls.

Here, sequentially, are some of the Cannes Film Festival day-by-day highlights:

Wednesday, 5.14: Fernando Meirelles' Blindness (comp.).

Thursday, 5.15: Pablo Trapero's Leonera and Ari Folman's Waltz with Bashir (comp.) along with Mark Osborne and John Stevenson's Kung Fu Panda (non-comp), Steve McQueen's Hunger and de Bong Joon Ho, Leos Carax and Michel Gondry's Tokyo! (Un Certain Regard).

Friday, 5.16: Arnaud Desplechin's Un Conte de Noel and Nuri Bilge Ceylan's Uc Mayman (comp.) along with Allison Thompson's The Third Wave...Read More

The Cannes Film Festival official screening schedule went up yesterday with the press screening schedule expected to post sometime tomorrow.

The rundown identifies Steven Soderbergh's The Argentine and Guerilla as a single film called Che that runs 4 hours and 28 minutes. Meaning, obviously, that as far as Cannes is concerned, the two-movie concept is out the window in favor of presenting a single epic-sized film with an intermission.

Che...Read More

Thanks to Variety's Anne Thompson for the initial YouTube post/link, and kudos to dialogue (i.e., subtitle) writer and stand-up comedian James Adomian. This isn't as funny as the collapse of HD-DVD video, but it's close.

Hitler/Clinton: "The superdelegates were supposed to trump the fucking voters! And now you tell me those fat fucks are waddling over to worship that dandy Obama, lke he's the second coming of Jimi Hendrix...Read More

That "All Things Considered" interview I did with NPR media reporter David Folkenflik two days ago will be linkable online by roughly 7 pm this evening. It's not just me talking -- it's three or four movie critics including, I think, former N.Y. Daily News critic Jack Mathews. The piece is called "Movie Critics Disappearing from Newsrooms."

In early April I wondered if anyone cares enough about Carol Reed's Outcast of the Islands (1951) to put it out on DVD. Those dedicated wackdoodles at the Criterion Collection, say. Well, hail hail rock 'n' roll because Outcast will air on Turner Classic Movies come Friday, August 22. August is traditionally TCM's one-star-per-day month and that day will be devoted to Outcast star Trevor Howard. The complete August schedule (with some other interesting rarities) is viewable here.

After reportedly trying to forge some kind of amicable, foward-looking merger between Picturehouse and Warner Independent, Warner Bros. management has suddenly thrown up its hands and is getting out of the "dependent" business altogether, it was announced about an hour ago.

WB president & COO Alan Horn released a statement that seems to translate, when you boil the snow out of it, into the following: "Sorry, but we've come to realize that running a Fox Searchlight- or Paramount Vantage-type operation just isn't our bag...Read More

Glenn Kenny, one of the country's finest film critics and a brilliant writer to boot, has been cut loose by Premiere.com. "What this means for this blog is still up in the air," he wrote this morning. "I've got meetings this afternoon in which such things are to be negotiated. In any case, I now join the ever-growing ranks...Read More

Speed Racer (opening Friday) is running at 90, 29 and 16, which looks to me like $25 to $30 million, at best. (Normally a 16 first choice means $15 to $20 million, depending on the demographic, but the family-trade current will kick this one up.) What Happens in Vegas is running at 87, 32 and 18. David Mamet's Redbelt is going wide this week with 20 general, 24 definite interest and 2 first choice. The Chronicles of Narnia: Prince Caspian (opening 5.16) is at 96, 42 and 14. Sex and the City...Read More

"In a heated phone call with House Speaker Nancy Pelosi late last month, Hillary Clinton supporter Harvey Weinstein threatened to cut off campaign money to congressional Democrats unless Pelosi embraced a new plan by the movie mogul to finance a revote of the Democratic presidential primaries in Florida and Michigan, according to three officials who were briefed on the contents of the conversation." -- filed this morning by CNN White House correspondent Ed Henry.

Yesterday's Grand Wizard award went to Hillary Clinton for blatantly using the term "white Americans" in a USA Today interview written by Kathy Kiely and Jill Lawrence. "I have a much broader base to build a winning coalition on," she said, citing an Associated Press article "that found how Sen. Obama's support among working, hard-working Americans, white Americans, is weakening again, and how whites in both states who had not completed college were supporting me."

''Bush may turn out to be the worst president in history,'' W. director Oliver Stone has told Entertainment Weekly . ''I think history is going to be very tough on him. But that doesn't mean he isn't a great story.

Josh Brolin, Elizabeth Banks as George and Laura in Oliver Stone's W.

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I wasn't going to say anything and just wait until the 5.18 screening of Indiana Jones and the Kingdom of the Crystal Skull in Cannes, but since Ain't It Cool has run a neg review from "ShogunMaster" (and since Hollywood Wiretap has linked to it), the cat is out of the bag and I may as well share something of my own.

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"The big question if Clinton stays in the race is this: Just how will she campaign? Yesterday, there were no negative TV ads or attack mailers. But Clinton did stress that she can win the general, implying that Obama might not be able to.

"'I have a much broader base to build a winning coalition on,' she told USA Today, citing her support with white working-class voters. It's comments like that one that might drive more supers toward Obama pretty quickly. Why? Because they know the math...Read More

I admire and respect the moves and the intent of Speed Racer (Warner Bros., 5.9), which I saw last night at the Leow's IMAX near Lincoln Center. Right away I was saying to myself, "All right, this is out there....infuriating but brilliantly out there." But it offers almost nothing in the way of genuine personal charm (except for the monkey, Chim-Chim) and I began looking at my watch starting around the 45-minute mark. Honestly? More like a half-hour in.

This is a deranged, steroid-cranked family-action movie...the work of madmen...Read More

Ain't It Cool's Drew McWeeny was on the record with his Speed Racer rave yesterday, before David Poland. I should have acknowledged this when I posted my 5.7 piece at 1:19 pm. "I think critics are forgetting that part of our job is to not only say what we like, but to review a film based on the intent of that film," he says. "Comparing Speed Racer to Andrei Tarkovsky or serious adult cinema is a sucker's bet. Of course they don't compare. But it's one of the most outrageous visions in kid's cinema since Read More

"In his victory speech after the smashing North Carolina results came in, Barack Obama went directly after both John McCain and the media. '[McCain's] plan to win in November appears to come from the very same playbook that his side has used time after time in election after election,' Obama said. 'Yes, we know what's coming. I'm not naive. We've already seen it, the same names and labels...Read More

Come July 9th, this is the guy I want standing on my desk. I'm going to lay out the money right now. Heath Ledger wasn't a friend (hardly) but he always smiled and gave me a "hey" wave when we made eye contact at parties or press gatherings, and he always gave me two or three minutes when he wasn't being swamped. For what it's worth and in a weird sort of way, having this guy on my desk will be, for me, a way of burning a candle for him.

Modest and likable and decent though he may be (okay, is), this is not the real John McCain. Or it is and it's not enough. A charming, low-key guy selling misguided, outmoded, old-school medicine. Nice to talk to, but inwardly snarly and obstinate and, in a decent-American-on-a-Sunday-morning sort of way, blind.

There is nothing wrong or suspect about liking a film that almost everyone else hates. On the contrary, it is the mark of a critic who's probably worth reading ...as long as he/she doesn't go all Armond White on disliked or discredited films too often. That said, it's a bit of an eye-opener (or is it a dark omen?) that MCN's David Poland has given a fairly hearty thumbs-up to Speed Racer (Warner Bros., 5.9)

With tracking looking dicey at best and a Rotten Tomatoes positive rating of 37%...Read More

Forever partial to the films of Abel Ferrara, the Cannes Film Festival is offering a special screening of his latest, a doc about a certain storied Manhattan hotel called Chelsea on the Rocks. Screening on Friday,. 5.23, it'll include "interviews with residents past and present" such as Milos Forman, Ethan Hawke, Dennis Hopper and R. Crumb, plus vintage music, archival footage and re-enactments of famous Chelsea episodes -- Nancy Spungen and Sid Vicious, Janis Joplin -- performed by Bijou Phillips, Jamie Burke, Adam Goldberg, Giancarlo Esposito and Grace Jones.

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"GOP heavyweight James Baker III and Democratic strategist Ron Klain couldn't have been more at odds than they were during the disputed Bush v. Gore 2000 election battle in Florida," writes Politico's Jeffrey Ressner. "So it's no small irony that as HBO's telefilm Recount (debuting 5.25) was being readied, the two men both signed off on a completely fictional scene in which their characters meet briefly on an airport tarmac."

(l.) James Baker; (r.) Ron Klain

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We've all felt that peculiar irritation that kicks in when news of yet another "special collector's edition" DVD of a classic film (single or double-disc...same difference) is announced. I say to myself "no, I won't fall for it...screw those greedy DVD distributors trying to milk me for the second or third or fourth time." Then I read that the new release will provide a "restored" and presumably improved transfer, and I'm hooked. Even if the transfer on a DVD of the film that I own looks perfectly fine. Because I'm a sucker for any upgrade.

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Cinemorgue, which features listings and descriptions of thousands of death scenes that are alphabetized by the names of actors and actresses, is grim and exhaustive and...valuable, I guess, but also kind of strange. I'd forgotten how many times Elke Sommer has been gruesomely killed on-screen. Two skiiing accidents, shot three times (machine gunned in 1969's The Wrecking Crew, the Dean Martin-Matt Helm movie), blown up, and bludgeoned to death.

Almost all movie deaths, it seems, are brutal, bloody, sudden, ghastly, traumatic and otherwise unpeaceful. Nod-off deaths -- like Sir Cedric Hardwicke 's passing in The Ten Commandments...Read More

"The Republican brand has been so badly damaged that if Republicans try to run an anti-Obama, anti- Reverend Wright...campaign, they are simply going to fail." -- a declaration made yesterday by (believe it or not) Newt Gingrich on Human Events, a conservative website.

The DVD of the original 219-minute cut of Michael Cimino's Heaven's Gate has been available for more than eight years, but even those who mostly despise the film (myself among them) will concede that seeing an allegedly "restored" print on a big screen in a first-rate house like Santa Monica's Aero is definitely the preferred way to go. Kevin Thomas will introduce the 5.22 Aero screening, which will start at 7:30 pm.

History long ago noted that renowned critic F.X. Feeney is primarily responsible for recasting Heaven's Gate...Read More

Lionsgate has decided to open Frank Miller's The Spirit, an adaptation of Will Eisner's heavy-noir comic strip, on Christmas Day 2008 instead of 1.16.09. Pamela McClintock's 5.6 Variety story, quoting Lionsgate theatrical films chief Tom Ortenberg, says the decision to shift the film to 12.25 "came after the project was presented to fans at New York Comic-Con."

Scarlett Johansson as "Silken Floss" in Frank Miller's The Spirit

Nick Broomfield's Battle for Haditha (Hanway Films), which is playing at Manhattan's Film Forum from now through 5.20, is arguably the best Iraq War foot-soldier drama to have been released thus far. Mostly because it uses the POV of all the sad victims in this wretched episode and presents the particulars in a way that straddles the line between judgment and lament.

Shot in purposefully ragged docu-drama style with non-actors and deserving, I feel, a solid 8 on a scale of 10, Haditha will certainly be avoided en masse...Read More

Huge exhale and good riddance. Barack Obama wailed in North Carolina and lost Indiana by a nose hair, and that, ladies and gentlemen and undecideds, is finally the end of Hillary Cinton. Tim Russert said this morning that every political player now accepts that Obama will be the party's nominee in Denver. Politico's Mike Allen wrote this morning that Obama "won't push her out -- he'll let her get her coat, and walk to the door. But he's talking to the whole country now -- not just to Democrats, and not to individual states."

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Forced to simulate indications of seasoned intelligence and sensitivity during a recent visit to Keith Olberman's "Countdown," Harold and Kumar Escape From Guantanamo star Kal Penn was, by any fair standard, fairly convincing.

Possibly as a result of catching yesterday's Oprah tribute, Sumner Redstone has amended his position on Tom Cruise (or told his wife to stop kvetching) and has been laying down a welcome mat in hopes that a Mission: Impossible 4 might happen down the road. (S.R. and Cruise dined together in March, it says here.) "I consider Tom Cruise a great actor and a good friend," Redstone said during a business conference in South Korea. "And if Paramount decides -- and they will make the decision -- to move ahead with him, I will not object."

The Swedish Hancock trailer is supposed to be ruder than the American one? The beginnings and middle of both are pretty much the same. I'm not sure about the final thirds.

First, those stories about Heath Ledger/Joker dolls fetching $50 a pop on e-Bay don't appear to be valid, as this e-Bay page makes clear. Second, 6" Joker dolls are for eight year-olds. Serious collectors prefer the more detailed 12" or 15" tall models with their much better facial likenesses.

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No article has filled me with more trepidation and suspicion about Hancock than last Sunday's N.Y. Times piece by Michael Cieply. It's supposed to be about a superhero flick that pushes limits in terms of the main character's behavior, but all I got out of it were a bunch of pretending-to-be-concerned-or-thoughtful comments from a lot of smug over-paid people who ride around in pricey cars.

I really don't like that photo of producer Akiva Goldsman laughing uproariously while standing next to Will Smith...Read More

The Indiana/North Carolina basics: "At stake are a total of 187 pledged delegates -- 115 in North Carolina and 72 in Indiana. Polls open in North Carolina at 6:30 am and close at 7:30 pm. In Indiana, most polls open at 6:00 am and close at 6:00 pm, but because some parts of the state are in the Central Time Zone, the official poll closing time is 7:00 pm eastern.

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Indy 4 director Steven Spielberg recently told N.Y. Times contributor Terrence Rafferty that "he tries to cut as little as possible" in the Indy action sequences because "every time the camera changes dynamic angles, you feel there's something wrong, that there's some cheating going on." Precisely. Too many movies feel like visual cheats from the get-go. So Spielberg's goal is "to do the shots the way Chaplin or Keaton would, everything happening before the eyes of the audience, without a cut."

Sounding a little bit like Werner Herzog...Read More

"That's a fragment of something Andrei Tarkovsky said. He said that art is different than life because art is a representation of life and therefore it doesn't contain death. Life contains death. So making art is life-affirming. So even if the art is tragic, it's still optimistic. There can never be pessimistic artists, there can only be mediocrity." -- from John Del Signore's 5.5 piece for the Gothamist about Lou Reed and Julian Schnabel discussing Berlin, a film about Reed's 2006 revival performance of his 1973 album at St. Ann's Warehouse in Brooklyn.

Berlin...Read More

A movie is only as good as its weakest creative link -- as clever or knowing or visually alive as the stodgiest, most old-fashioned, least-hip person in the inner creative circle. So if it turns out that there's something a little bit wrong with Indiana Jones and the Kingdom of the Crystal Skull...Read More

Speaking of the fight scenes in Indiana Jones and the Kingdom of the Crystal Skull, Harrison Ford has told The Australian's Chrissy Iley that "we didn't shoot it like a Matrix style where if you hit somebody they end up in this big space and you didn't feel the hurt, you don't feel the fear. I feel you very quickly lose emotional connection with the character if it's like that. We are more old school."

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This teaser for Beverly Hills Chihuahua (Disney, 9.26) obviously promises a spirited family entertainment. Chihuahuas are Mexican dogs, of course, and Mexico, of course, was the seat of ancient Aztec and Mayan culture many centuries ago. But what could this have to do with a present-day story about a rich Beverly Hills chihuahua named Chloe (voiced by Drew Barrymore) getting lost during a Mexican vacation and looking for a way home? Obviously she gradually gets past being a spoiled and arrogant bitch by connecting with her ancestral roots, etc.

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I feel horrible about what may happen tomorrow in Indiana and North Carolina. Terrified. It could all finally start to be over (please!) if Barack Obama finishes slightly ahead of the Hildebeest among the Hoosiers and takes her, say, by eight or ten points among the tarheels. But it could go badly too, and the agony could well continue. Just ignore it, I've been telling myself today. Or at least don't fret. At least until tomorrow.

Then I came across this 5.4 Kurt Andersen piece in New York...Read More

One and a half tablets of Tylenol PM resulted in four hours of sleep on a totally crammed 767 that left LAX last night around 11:50 pm. Groggily took the E train out of Jamaica, forgetting that I should have taken the A or the C which would have stopped at Broadway Junction, where you get the L train. A slow hellish ride ensued, the train poking along at an average of 12 mph through endless dark tunnels under Queens.

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Oprah Winfrey aired a Tom Cruise interview last Friday, and today she's running a tribute show about his 25 years of stardom. Cruise's big career kick-off, of course, was Risky Business, which opened in August 1983. It strikes me as odd, as it has to Roger Freidman, that neither Cruise nor Winfrey thought to invite the film's director-writer, Paul Brickman, to take part in the show. By any fair standard this seems like ingratitude and bad manners.

The reason for the blow-off, I'm presuming, is because Brickman didn't become a powerhouse director in the wake of ...Read More

Taking advantage of last weekend's first-anywhere screenings of Sex and the City (New Line/HBO, 5.30) for junket press here in Manhattan, N.Y. Daily News feature writer Colin Bertram blew off the embargo and ran a spoiler-free valentine review in today's edition.

I talked this morning to a journalist who saw it here also, and if you merge his reactions with Bertram's I'm getting the sense that it's not too bad. Lacking the constitution of a stand-alone movie, perhaps, but enjoyable enough on its own terms.

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"By seeking to tear down opponents and pander to voters, the Clinton campaign is playing just the kind of politics that Americans say they detest. We need a president who can forge consensus and compromise among ideological foes. Barack Obama is that kind of Democrat; Hillary Clinton is not." -- from the Chicago Tribune's 5.4 editorial "Indiana, Go With Obama."

I truly admire the talent and effort that goes into writing an obliging review that sounds so smart and aware that you're not aware what's actually going on. Seriously -- it's not easy to do this right. I can think of no one better at tapping out intelligent critiques of this sort than Variety's Joe Leydon. At the same time, I would be less than honest if I said I fully trust Leydon's take on films such as What Happens in Vegas. I'm saying this with respect.

"Some trend-conscious wags won't be able to resist describing Vegas...Read More

HE reader Dan Revill has passed along a frame capture of Aaron Eckhart's post-disfigurement Harvey Dent, taken from the high-def Dark Knight trailer. "Judging from the slight scarring seen, I'm gonna say that's not fire-induced," Revill says. "Unless [fire] leaves him charcoal faced." Down with that. I've always been an acid-in-the-face type of guy.

"Is there still a strain in the culture that struggles with the idea that intelligence isn't just wasted on girls?," the Independent's Deborah Orr wrote yesterday about the lore behind New Line's Sex and the City (opening 5.30). "Why is it that a group of clever, ambitious and successful women, sitting around chatting about their tiny troubles, should be such a comedy goldmine?

"It's because, isn't it, they're all bright enough to live life on their own independent terms, but still, despite their occasional protests, can't stop projecting their ideas about themselves and their status on to men?

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What a relief and a pleasure to see the Dark Night trailer all high-def and totally smack.

A special amendment needs to be added to the Constitution stating that all citizens have to pass a short general education and political literacy exam before being allowed to vote. Something analagous to the 25-question quiz that everyone is required to take at their local DMV in order to get a driver's license. Nobody squawks about this because driving carefully and responsibly is a life-or-death matter. But then so is voting. Much more so, if you ask me.

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Anne Thompson alerted me this morning to A.J. Benza and Neal Gumpel's "Real Guys" series -- obviously a concept riding the coattails of Marcia Nastair and Lorenzo Semple's "Reel Geezers." Here's their riff on 21.

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If Iron Man makes $100 million by late tonight, fine. Obviously good news all around, particularly for Jon Favreau (who will now be offered the grade-A material along with the other cream-of-the-croppers), Robert Downey, Jr. (whose career was on the ropes ten years ago) and the Marvel guys, who were probably driving around town last night in ostentatious babe-magnet cars and lighting their cigars with $100 bills.

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Straight from Mark Halperin's The Page: "YOU CAN'T MAKE THIS UP: Hillary Clinton enthusiastically picked a filly named Eight Belles to win the Kentucky Derby and compared herself to the horse. Eight Belles finished second. The winner was the favorite, Big Brown. Eight Belles collapsed immediately after crossing the finish line, and was euthanized shortly thereafter." (posted at 8:10 pm.)

I can't say I've watched very many celebrity endorsements on behalf of of Barack Obama, but Tom Hanks' video, which he apparently wrote and shot on his own, is the most eloquent and straight-talking-est testimonial on video that I've seen from...I was going to say from a Hollywood type but I can't think of anyone who's said it better. Really. It's on his MySpace page.

Last night In Contention's Kris Tapley took a second look at Iron Man with some paying customers, and thereby caught the new The Dark Knight trailer. He came away believing that cowriters Chris and Jonathan Nolan "may have taken some liberties" with the facial scarring of Harvey Two-Face Dent (being played this time by Aaron Eckhart).

I've been in love with those brilliant TV spots for a major insurance company in which a couple of people are talking about insurance -- quietly, almost half-heartedly -- while one of them watches a calamity take place outside, and is verbally unresponsive to what he/she is seeing. He/she just keeps talking, but what's happening down below is nothing sort of catastrophic. One of the spots shows a window-washer about to fall; another shows furniture being tossed out a window and landing on a guy's car.

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Someone asked last night what the most widely-shared statement might be among families or roommates, regardless of country, culture or economic station. Something that people say every day to others living under the same roof, millions of times daily, in every corner of the globe. And I said that the most common one of all might be "I wouldn't go in there if I were you."

My father taught me long ago by example that adulthood was a fairly grim calling -- a state of mind that allowed for very little joy or spontaneity, that was mainly about duty and drudgery and -- although he's been in AA since the mid '70s -- a fair amount of drinking on weeknights and weekends. So I've been fairly averse to the idea of fulfilling my father's idea of adulthood for most of my life.

from Adam Sandler's You Don't Mess With the Zohan

But sometimes I feel as if the pendulum has swung too far in the other direction, as Read More

"Working in a self-consciously quirky key that owes a strong debt to Wes Anderson's Rushmore, [director Garth] Jennings keeps his busy pieces in harmonious play, creating a miniaturized world as detailed, painstakingly determined and insulated as an ant farm. He crams the frame with bright colors and comic bits of business; tosses in an interloper, a French Billy Idol called Didier (Jules Sitruk...Read More

It's not on Amazon.com as we speak, but there's an unusual-sounding book by Chicago Sun-Times columnist Cathleen Falsani arriving in the spring of '09 called The Dude Abides: The Gospel According to the Coen Brothers. It will look at the "serious existential and theological questions using the dark, intelligent humor and epic storytelling that have been their trademarks in more than a dozen films during the past 25 years."

Cathleeen Falsani; Joel and Ethan Coen

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It's mostly the title, which says exactly what's happening right now. The tone doesn't feel right, though -- good-bad Star Wars mythology argues with the complex and malevolent unfoldings of this campaign. Even without this, someone should have taken the time to refine the facial-pasting a bit more.

I finally heard from someone about the Picturehouse/ Warner Independent situation. A story posted Thursday evening by Variety's Anne Thompson said that Picturehouse topper Bob Berney and Warner Independent chief Polly Cohen are "likely" to accept a bicoastal power-sharing arrangement that will preside over a merged operation. Then I heard this morning Berney "is leaving Picturehouse."

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E-Film Critic's Eric Childress is wondering why Paramount is using Iron Man quotes from the relentlessly elastic and seducable Peter Travers along with old-time accomodators like Jeffrey Lyons and Gene Shalit plus Moviemantz's Scott Mantz. "Couldn't find anyone better than that, Paramount? Seriously? You may not wanted to associate your superhero flick with the online geek sites, but at least some of them write more than just dumb-dumb phrases like Lyons and Shalit."

Iron Man did $37.9 million yesterday, and is on track to finish Sunday night with $93.9 million. (This presumably includes Thursday night's business.) Made of Honor is projecting $15.5 million for the weekend, and Baby Mama will come in third with $10.3 million -- off 41%, a not-great-but-decent hold. Harold and Kumar Escape From Guantanamo will be fourth with $6.4 million. And Forgetting Sarah Marshall with come in fifth with $6.2 million.

Forbidden Kingdom will make almost $4 million. Nim's Island will be seventh with $2.7 million. Prom Night will finish with $2.4 million, Read More

Penn Jillette rambles for over seven minutes in order to deliver a cynical suspicion -- i.e., that the Obama-Wright relationship might have ended due to a deliberate scheme. Please. Obama's dad left when he was two, and Wright filled that vacuum when Obama came of age in his mid 20s, and family is family.

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Most of the hardcores will have seen Iron Man by late this evening. I agreed two or three days ago that it's a pretty decent ride and that Downey's performance is as good as it gets with this kind of thing, but I'd like someone to explain to me why it's so damn great. I know it's not. Anyone who comes out of this thing doing cartwheels has a need to express him/herself along these lines.

Some TV commentators' insistence on staying with the Rev. Wright clamor despite Barack Obama