It’s a Chronicles of Narnia weekend, all right. Families, church groups and the religious right poured coin into the Disney coffers to the tune of $22.7 million yesterday, and projections are that The Chronicles of Narnia: The Lion, the Witch and the Wardrobe will take in $75 to $80 million for the weekend…maybe a tad higher. Brokeback Mountain, platforming in just five theatres, did $133,000 per situation for a total of $691 thousand… upscale moviegoers and urban gays coming out in droves. Memoirs of a Geisha earned $99 thousand and change in eight theatres yesterday and is projected to take in $793,000 for the weekend. Mrs. Henderson Presents will take in about $48,000 in six thea- tres for the weekend. The World’s Fastest Indian opened in two theatres and did $2,000 a print.
Okay, I’ve got the wrong attitude. I’ve got to tone it down. The Munich pan by Variety‘s Todd McCarthy isn’t part of a burgeoning Spartacus-like revolt against the high-and-mighty Time-fortified Universal/Spielberg cabal…it’s just a review by one guy and we shouldn’t be talking about the threatening snowball getting big- ger and bigger…none of that neg-head people’s revolt stuff. Be fair.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...