I should have posted this yesterday, but Munich screenwriter Tony Kushner has countered the criticisms of the film’s political opponents with this very intelligent response, which appeared in the 1.22 L.A. Times. And Steven Spielberg has finally let go with some anger at these criticisms through an interview he gave to a writer for the German magazine Der Spiegel. Now, if just one of them had addressed the why’s and wherefore’s of that sex scene intercut with Munich massacre footage…
New York Times reporter Sharon Waxman got in touch with the Little Miss Sunshine principals — producer Jon Turtletaub and Cinetic Media’s John Sloss — and wrote this comprehensive piece about the five-year effort to finance the film and the 10-hour effort to sell it last Friday night and early Saturday morning. The victor was Fox Searchlight. The selling price was $10.5 million “plus 10 percent of all gross revenues on the film, a hefty figure that set tongues wagging.” Sunshine will hit theatres sometime this summer.
Hollywood Elsewhere’s Sundance coverage slowed to a near-total halt on Sunday, 1.22. This has been a pleasant but (so far) unexceptional festival…everyone is in agreement about this. Not so hot…nothing really igniting….shoulder-shrugging. And with Sunday’s wake-up downshifting and not seeing this or that allegedly mezzo-mezzo movie seemed like a permissible way to play it. No…inspired! Woke up late and kinda groggy after crashing at 3 am…wrote a column, missed Stewart Copeland’s Police doc, Everyone Stares…saw Freida Lee Mock’s straightforward but pleasingly passionate Tony Kushner doc, Wrestling with Angels; went to a Women in Film gathering at the River Horse; decided to blow off seeing Neil Burger’s The Illusionist and Michel Gondry’s The Science of Sleep…later, shine it, grab a salad…get back on the horse tomorrow (i.e., today).


“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...