Yesterday’s collapsing-values, fall-of-the- Roman-empire statement came from former DreamWorks marketing ace Terry Press: “Everybody knows that culturally, kids rule the roost. The numbers for kids and the age they adopt things like iPods (and) cell phones…all show that kids are growing up faster. If you make records or something you want consumed in the culture, you have to resonate with kids.” She’s right, of course, but an entertainment culture that caters first and foremost to toddlers, tweeners and young teens has opted for dilution and marginalization and essentially removed itself from the hallowed circle. This is a tired old gripe. I know I need to grow up and embrace the infantilization process. Please forgive the foot-dragging.
Las Vegas used to be the last working refuge of performing scoundrels. It doesn’t seem as tainted these days, in part because the aesthetic of the culture has sunk down to Vegas’s level over the past 15 to 20 years, but the possibility of Michael Jackson committing to a long-term performing gig as a way of launching a possible comeback reiterates what Vegas and its audience are basically about.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...