At long last, Warner Home Video will bring out a Bluray of William Wyler‘s The Best Years Of Our Lives (’46) on 11.5.13. Gregg Toland‘s cinematography isn’t show-offy, but it really brings the key scenes home. Like the Homer-and-Wilma wedding scene at the finale, which of course is really about Fred (Dana Andrews) and Peggy (Teresa Wright). Wyler and Toland hold on that final master shot (i.e., the second to last shot in the entire film) for nearly 50 seconds without a cut — an eternity by today’s standards.
Name one film directed by a celebrated director of photography (in this instance Wally Pfister) that became a critical and commercial knockout…just one. Name one successful film in which the lead protagonist (played here by Johnny Depp) is killed early on or otherwise doomed a la D.O.A. — people want their heroes to live and fight and see it through. Name one box-office handicapper who doesn’t think Depp’s box-office power-punch rep (a) was over-rated all along due to the uniquely weird Pirates franchise and/or (b) is definitely over in the wake of the El Flopperoony of The Lone Ranger.
Ryan Coogler‘s rightly acclaimed Fruitvale Station faces the verdict of Joe and Jane Popcorn today, and don’t kid yourself — it’s the commercial response that will either propel this fact-based drama into serious Best Picture consideration or slowly shut it down, depending on what happens. The critics have already toasted Coogler, 26, who has done himself proud and is on the road to a long career. Cheers also to Michael B. Jordan for his vibrant and emotionally varied portrayal of the late Oscar Grant, who was aggressively if accidentally shot by a BART cop after a melee on New Year’s Eve. Congrats also to producers Forest Whitaker and Octavia Spencer. Here again is that footage I took of Fruitvale‘s standing ovation at the Cannes Film Festival:

If Nelson Mandela was in good health with prospects for several more years on the planet, it’s fair to say that Mandela: Long Walk to Freedom (Weinstein Co., 11.29) might ( I say “might”) be looking at an iffy or marginal response. As things stand, the film will probably…well, let’s hope for the best for Mr. Mandela. Nobody lays things bare in this fashion except me. Backdraft: I saw Mandela live at the L.A. Coliseum in mid-June 1990. Me, my ex-wife Maggie and our two kids, Jett (two years old) and Dylan (7 months).

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...