I missed Alexandre Moors‘ Blue Caprice (9.13 theatrical, 9.17 iTunes/VOD) at last January’s Sundance Film Festival. 100% Rotten Tomatoes rating. I’d like to see it before leaving for Telluride on 8.28. Hello, Brigade Marketing — can I get a screener? “A chillingly plausible and responsibly handled attempt to dramatize the disturbing bond between the two men behind the 2002 Beltway sniper attacks” — Variety‘s Justin Chang.
There are two ways to pronounce “villa.” If you’re in Italy looking to rent a villa, it should rhyme with “Godzilla.” But if you’re managing an old-style, Spanish-flavored, pre-war hotel in Santa Barbara called the Villa Rosa Inn, you obviously need to pronounce it like a Spaniard or a Mexican and call it the “Veeya Rosa.” It’s not rocket science. I’m mentioning this because I’m staying at this Santa Barbara establishment next weekend, and twice when I called a woman picked up and said “Villa Rosa Inn” like she was Raymond Burr in Tokyo.
I hate being stuck at the end of a line of cars inside a large, multi-level underground parking lot. Everyone is looking for an empty space, of course, and it takes forever — cruising the same lanes, driving really slow, floor to floor to floor. Occasionally the line stops and nobody moves because somebody three or four cars ahead is waiting for a person who’s just gotten into their car to leave, except that person…excuse me, that sociopath isn’t leaving but just sitting in the driver’s seat and diddling around, knowing full well that he/she is making all the empty-space seekers wait. This person will typically sit and sit and sit and finally turn on the ignition and then sit there some more. Four or five minutes later he/she will finally back out. If there was a God…

I watched a slightly watered-down version of the forthcoming Bluray of Elia Kazan‘s East of Eden (Warner Home Video, 11.5) on Vudu last night. I’ve been watching this film on laser disc and DVD since the ’90s and know it backwards and forwards, and the Vudu HDX version is a very significant upgrade in terms of clarity, sharpness, color vibrancy. It’s never looked this good. Straight out of the lab and robust and clean and tied together with a big red ribbon. The Bluray will have a lot more data and will presumably look that much better
Thoughts of guy in white hat who eventually gets shot: “Wow, lotta gunfire ’round here. Hundreds have been killed by the military over the past two or three weeks and I might be next. Why tempt fate then? Because if I die I’ll be sent to paradise with 100 virgins waiting to caress me with their tongues. Maybe if I just raise my arms peacefully and act like that kid in front of the tank during the Tiananmen Square protests…fuck! I’m shot! Everything is turning black. Oh, look…a white light. A feeling of peace and serenity has come over me, but no virgins…where are the virgins? At least I died well.”
I don’t mean to sound cavalier about the carnage going on in Egypt right now, but what do these guys think is going to happen? They know the troops have been given “shoot to kill” orders. They’re obviously looking to be sent to paradise. Winston Churchill once said that “nothing in life is so exhilarating as to be shot at without result.” The Cairo protestors seem to almost have the opposite view. To be shot and killed while protesting the coup against Morsi is a blessed thing, and since we’re dying anyway sooner or later why not go out in a glorious way?
Yesterday I posted a praise piece about Adele Exarchopoulos‘ wide-open, mesmerizing performance in Blue Is The Warmest Color (IFC Films/Sundance Selects, 10.25). I called it “Historic Performance, All-But-Guaranteed Best Actress Nomination.” This morning Awards Daily‘s Sasha Stone posted the following in the comment thread: “[Exarchopoulos getting a Best Actress nomination is] certainly possible…but the one to really look out for is Brie Larson in Short Term 12. If anyone is going to break through big-time this year, it will be her.

Blue Is The Warmest Color star and Oscar hopeful Adele Exarchopoulos.

Short Term 12 star and possible Oscar contender Brie Larson


“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...