The Older I Get, The More Robert Mitchum I Feel

“Young people are the only ones who ever talk about growing old gracefully. For those actually in the thick of it, the romance of that notion burns off pretty quickly, and wrinkles and creaky joints are the least of it: Growing old, gracefully or otherwise, means becoming the person you were always meant to be, only more so. After days, months, and years of gradual transformation, you wake up one day to find that you’re 1,000 percent you. Your good qualities have entwined so fixedly with the bad that it’s hard to distinguish which are which. By the time you feel wholly comfortable in your own skin, everyone around you may find you unbearable.” — from Stephanie Zacharek‘s Village Voice review of Grandma, an above-average film about a cranky, prickly older woman (Lily Tomlin) trying to help her granddaughter (Julia Garner) pay for an abortion.

I love that “1000 percent you” line — that’ll be bouncing around in my head for years to come. Ditto the “good qualities entwined so fixedly with the bad.” But I don’t feel at one with the tone of resignation in this paragraph. (It almost feels defeatist.) I guess this is because while I might have felt “wholly comfortable in my skin” a few years or even a decade or two ago, a lot of old skin was shed when I went sober three and a half years ago, and as much as I recognize there are certain aspects of my nature that will never change and that a certain sector of humanity will always annoy me (and very possibly vice versa), I don’t see the climate out there as all that prickly or adversarial. Sobriety really does make your life seem like something that might work out. And aside from advertisers, I don’t give that much of a shit about what most people think of me so…you know, fuck’ em.

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’90s DiCaprio: Thinner, Intense, Floppy Mane, Searing Glint

I’ve heard from reputable sources that Alejandro G. Inarritu‘s The Revenant (20th Century Fox, 12.25) is definitely the shit, and if that turns out to be true I’m betting that Leonardo DiCaprio, who plays the lead role of 19th Century trapper Hugh Glass, may finally snag a Best Actor Oscar. He’s been Best Actor-nominated three times (The Aviator, Blood Diamond, The Wolf of Wall Street) so maybe this’ll finally be it, 22 years after he broke into features with This Boy’s Life. The guy’s paid his dues.

Leo has been a power-hitter and marquee headliner for nearly 18 years now, or since Titanic. Nobody can ever diminish or take away the killer performances he gave in The Departed, Inception, Revolutionary Road and The Wolf of Wall Street, but when I think of vintage DiCaprio I rewind back to that dynamic six-year period in the ’90s (’93 to ’98) when he was all about becoming and jumping off higher and higher cliffs — aflame, intense and panther-like in every performance he gave. I was reminded of this electric period this morning that I watched the above YouTube clip of DiCaprio in Woody Allen‘s Celebrity (’98).

I respected Leo’s performance in This Boy’s Life but I didn’t love it, and I felt the same kind of admiring distance with Arnie, his mentally handicpped younger brother role in What’s Eating Gilbert Grape, partly because he was kind of a whiny, nasally-voiced kid in both and…you know, good work but later. Excellent actor, didn’t care for the feisty-kid vibes. But a few months before Gilbert Grape opened I met DiCaprio for a Movieline interview at The Grill in Beverly Hills, and by that time he was taller and rail-thin and just shy of 20 years old. I was sitting in that booth and listening to him free-associate while saying to myself, “This kid’s got it…I can feel the current.”

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Crusty Mentor With A Past

At first glance Tony McNamara‘s Ashby (Paramount, 9.25) seems like a loose rehash of Theodore Melfi‘s St. Vincent. Bill Murray played the suburban-residing, raggedy-ass social misfit in the latter while Mickey Rourke plays a slight variation (i.e., an ex-CIA guy) in Ashby. Women hover in both films. One difference is that the kid being uncle’d, watched over and mentored in Ashby is a high-schooler (Nat Wolff) rather than a 12 year-old.

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