My Hollywood Elsewhere duties include/allow for travel to distant places and occasionally some pleasant downtime between posts. But there are no days off and there never will be, and that’s fine. But sometimes I just…don’t…care. Today was one of those occasions. I was starting to feel slightly better during last night’s JFK-to-LAX flight, but travel is never easy for the half-well person and the illness sorta kinda returned today. Or at least the damn cough did. Tomorrow is another day.
“Leonardo DiCaprio spends most of the saga alone in the wilderness, and the score keeps him company as mirages, memories and landscape merge in his drifting mind. Cellos slip and slosh through a G-minor phrase that keeps pivoting back on itself in slow legato notes, against a reverberant, windy drone. Sakamoto slowly progresses through glacial chords that build toward a fortissimo horizon.” — from an assessment of Ryuichi Sakamoto‘s Revenant score by Vulture‘s Justin Davidson, posted on 12.27.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...