Monday’s weather in Prague was abundantly warm. I wore a black shirt over a T-shirt and after a half-hour of running around I was wishing I’d left the shirt home. And then it turned cloudy, and when it started thunderstorming around 5:30 pm it was hailing for a bit. Where did I get the obviously wrong idea that it had to be at least cool if not cold for hail to happen? I’m doing the research as we speak.
Those uber-industrious Disney guys are looking to milk the Beauty and the Beast cow once more, this time as a live-action musical with Emma Watson as Belle and Dan Stevens (Downton Abbey) as the Beast. Bill Condon is directing from a script by Stephen Chbosky (The Perks of Being a Wallfower). The costars are Ewan McGregor, Kevin Kline, Josh Gad, Stanley Tucci, Ian McKellen, Gugu Mbatha-Raw, Audra McDonald, Emma Thompson. Not many remember that the dreaded Robby Benson voiced the Beast in Disney’s 1991 animated version, which made $425 million worldwide. (I took Jett and Dylan to see it when they were three and two years old.) This new Beast will make…oh, much more! But why is the teaser such a tease? A huge empty mansion, sunlight streaming, candles, paintings, a red rose. The design reminds me just a bit of Guillermo del Toro‘s Crimson Peak. Condon’s Beast opens in March 2017.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...