Due respect and condolences to friends, family and fans of Florence Henderson, who passed today (Thursday, 11.24) at age 82 from a heart attack. Everybody knew her as Carol Brady, of course — the soothing matriarchal figure on The Brady Bunch. Which, no offense, I avoided like the plague. And which millions of viewers swore by during its four and a half year run (9.26.69 to 3.8.74). The final episode of that ABC-produced, Nixon-era sitcom aired 42 and 1/2 years ago.
Which of the 2016 Best Picture contenders meet the Howard Hawks’ definition of a quality-level film — “three great scenes and no bad ones”? HE nitpickers have tried to dismiss the Hawks criteria, but a movie that delivers three great scenes and no shitty ones is always a well-fortified Best Picture contender. Because people always tend to remember those extra-powerful or poignant moments. Because they always sink in.
1. Damien Chazelle‘s La La Land. Does it qualify? Yes, emphatically. Great scenes: (1) the freeway overpass song-and-dance number that kicks it off, (2) the Griffith Park observatory “dancing amid the stars” sequence, (3) Emma Stone‘s character sings a capella in front of the casting directors in Act Three, (4) Emma and Ryan Gosling spot each other in the latter’s L.A. jazz club (also in Act Three) and re-live their relationship as it might have happened if life was a happy MGM musical with no detours or disappointments.
2. Kenneth Lonergan‘s Manchester by the Sea. Does it qualify? You bet. Great scenes: (1) Lee Chandler (Casey Affleck) says farewell to older brother Joe (Kyle Chandler) with a hug and a kiss in the hospital morgue, (2) The flashback when the staff hospital doctor informs the Chandler family that Joe has an incurable heart condition, (3) The hockey practice scene when Lee informs Patrick Chandler (Lucas Hedges) about his father’s death, (4) Lee discussing Joe’s will in the attorney’s office and the flashbacks that accompany this, (5) Almost all the scenes between Lee and Patrick including “Basement business,” “This could be good for both of us,” “You were a real help” and “Yeah, I know, they’re great but why can’t you stay?”, (6) the Big Kahuna of great Manchester scenes when Lee and his ex-wife Randi (Michelle Williams) run into each other near an outdoor staircase in Manchester and talk about buried hurt and broken hearts, (7) Lee weeps following the bar fight, (8) The smell-of-smoke-burning dream sequence on the couch, (9) Lee’s four-word explanation about why he can’t stay in Manchester.
3. Barry Jenkins‘ Moonlight. Does it qualify? Honestly? I don’t think so. Great scenes: (1) The kindly vibes showered upon “Little” Chiron (Alex Hibbert) by Juan (Mahershala Ali) in Act One (i.e., the swimming scene), although this atmosphere dispenses more in the way of warmth than a single great “hook” moment; (2) The Act Two handjob scene between teenaged Chiron (Ashton Sanders) and Kevin (Jharrel Jerome) is cathartic but not, in my eyes, great or all that affecting; (3) The confrontation scene between an adult Chiron (Trevante Rhodes) and his formerly drug-addicted mom (Naomie Harris). I honestly didn’t find the two Act Three scenes between Rhodes and Andre Holland (diner, motel room) to be great — more in the realm of honest, straight, respectable dramaturgy. All to say that Moonlight is a good, affecting film, but that’s all.
Sean Penn‘s The Last Face was butchered like a steer during last May’s Cannes Film Festival. A tale of a torrid affair between attractive aid workers (Charlize Theron, Javier Bardem) as third-world horrors unfold, Face currently has a 12% Rotten Tomatoes rating. It will open in France on 1.11.17 but so far Summit Films hasn’t announced a domestic release date. AV Club‘s Mike D’Angelo: “By the time [Theron] wraps things up with a sententious speech about how dreams are more important than oxygen, both have been completely sucked out of the theater.” The Hollywood Reporter‘s David Rooney: “[A] stunningly self-important but numbingly empty cocktail of romance and insulting refugee porn.” Cole Smithey: “If ever there was a movie that could make you dislike relief-aid doctors, The Last Face is it.”
Back in my Westfield days there was a big, dark-haired beefy guy named Bob Simon who used to give me all kinds of shit in junior and senior high. I hated him with a passion, and I seem to recall hearing a few years back that he’s dead. God’s grace if true! I was once beaten by Simon in the back of a car on a trip back from Staten Island, where’d we’d go every weekend to get drunk as skunks. Admittedly I would act like an asshole after downing four or five cans of beer (“I’m a six-can man!” I triumphantly slurred one night) but that’s a side issue.
The animus between Simon and I began during 8th grade band practice. I played second trumpet; Simon was on the bass drum. During an attempt to perform a marching number, the headstrong music teacher (Mr. Buriss, called “Mr. Bur-ass” by some of his more spirited students) got angry with Simon for repeatedly missing a cue. He lost his temper, whacked his conductor’s stick on a metal bandstand, glared at Simon and blurted out “my God, man…you are thick!” I told the guys in our peer group about the incident, and for the next few days “Simon, you’re thick!” was a thing. From that moment on I was on Simon’s shitlist. The goadings, humiliations and degradings were constant.
The Westfield high-school climate was hellish, no question. I suppose on some level it sharpened or toughened my game, but I think I suffered from a kind of PTSD for a couple of years after our family moved to Wilton, Connecticut.
From a Jeffrey Toobin New Yorker interview with former Massachusetts Congressman Barney Frank, posted on 11.23:
(1) “The fundamental reason that Trump won is the anger in America and other developed countries at the unfairness of the distribution of wealth. It’s been building and building, and all of a sudden it broke through.” HE comment: “Globalism has sent manufacturing jobs to less wealthy countries, but at the same time white bumblefucks haven’t acquired the skills or the mindset to be part of the new economy. Faced with an ‘adapt or die’ situation, they chose to throw a hand grenade by electing a sociopathic strong man who lacks the necessary temperament and brain-cell count. I hope and pray that the misery quotient in their lives will continue to be strong and draining. The sooner these people die out, the better for all of us.”
(2) “Sanders wounded [Hillary Clinton] badly. He’s the one who sold the argument that she was corrupt and bought by Wall Street. Sanders helped Trump become the guy who says we are tired of rich guys getting away with everything. Sanders helped persuade people that she is on the wrong side of that issue.” HE comment: Sanders spoke the truth about Clinton but ran, for the most part, a highly principled and inspirational campaign.
(3) “If [Hillary] hadn’t been using that e-mail system, she would have won, and [FBI director James] Comey exacerbated the problem.” HE comment: The majority of Americans wanted Hillary to be President — she’s currently over 2 million votes ahead of Trump in the popular vote — but without the emails and the Goldman Sachs speeches, Hillary would have most likely won an electoral college majority.
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