3:45 pm in Paris, 6:45 am in Los Angeles: For the next 11 hours Hollywood Elsewhere will be subject to a form of solitary confinement. Norweigan Airlines won’t be offering Wi-Fi until sometime next year, and so posting-wise I’m up shit creek without a paddle. I’ll use the time to watch the last two episodes of Fosse Verdon, which I’ve downloaded to my Kindle 10.
Boilerplate: “Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos.” Liv Tyler crying again?
For the first time in the history of U.S. presidential elections, a strong majority of likely Democratic voters — 57% — is in favor of electing one of two Presidential candidates who will hit 80 less than two years after taking office.
We’re all healthier and more athletic these days, 70 is the new 60 and Joe and Bernie have always sounded fairly sharp and shrewd to my ears. (Although Bernie has always struck me as the more lucid.) But anyone with older grandparents or great-grandparents knows what 80 and beyond tends to be like for the most part. Not always (depending on genetics + lifestyles) but often enough.
People generally enjoy 45 years of dynamic prime-time expertise and accomplishment, usually from age 30 to 75. Or 25 to 70. Or 35 to 80 or something like that. Ronald Reagan, our second oldest President, was in his late 70s at the end of his two-term Presidency. The prospect of a U.S. president turning 80 at the beginning of a first term has never been considered before, much less regarded as a likely scenario.
This is a totally new thing in the history of this country, and it seems to me that no one is really getting into this out of a general fear of sounding ageist, which the p.c. community correctly regards in the same light as racism, homophobia and fat-shaming. (Godzilla–shaming isn’t the same thing.)
I despise ageism, but that doesn’t change the fact that this country’s voters have never before seriously considered the idea of an 80something President. Think about this for 30 seconds.
If your gut you know it feels like a better idea for a younger person to succeed Trump. It just does. But I’m deathly afraid that Elizabeth Warren, whom I love and respect, might not prevail in the general election, although I can’t imagine anyone of sound mind not preferring her to Cheetoh.
It’s hitting me over and over what a terrible jam the Democrats are in right now. There’s no candidate except for Mayor Pete who’s really got the magic mojo, who’s exactly right for the job and who’s exactly the right age. And yet only 7% of likely voters favor him.

I’m sorry but it’s somehow comforting to hear that Simon Kinberg‘s Dark Phoenix (Fox/Disney, 6.7) really and truly blows.
“If a movie can be said to suffer from low-grade depression, this one certainly seems to be, shuffling in its socks and bathrobe through a not-quite-two-hour running time with an attitude that is closer to grudging obligation than enthusiastic commitment.” — Washington Post critic Michael O’Sullivan.
Sung to the tune of Randy Newman‘s “Short People”:
“Dark Phoenix got no reason to / Dark Phoenix got no reason to / Dark Phoenix got no reason to exist.”

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...