So Will Smith had a recent private screening of Antoine Fuqua‘s Emancipation (Apple, 12.2), but he invited only celebs of color. The same thing happened with that recent D.C. screening, which reportedly was mainly composed of African-American groups. Why am I hearing that the earlybird audiences been racially segregated? It feels like Smith is going for a stacked-deck consensus. The advance word of mouth on Emancipation will not travel unless a certain percentage of tough white critics give it a thumb’s up. Non-invested critics, I mean, who have no particular dog, etc.
In his 10.20 piece called "Will She Said Hit Too Close to Home for Oscar Voters?," Variety's Clayton Davis is trying to guilt-trip older Hollywood males into applauding this first-rate docudrama about how Jodi Kantor and Megan Twohey took down Harvey Weinstein.
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Three oldies costar in Ant-Man and the Wasp: Quantumania —Michael Douglas, Michele Pfeiffer and an uncredited Bill Murray as a villain of some kind. I adored the original Ant-Man (’15) but not so much Ant-Man and the Wasp (’18). I’ll probably have difficult with this one also. Paul Rudd, Evangeline Lilly, Kathryn Newton, Jonathan Majors, Randall Park

I had to catch an 11:30 am train to Grand Central in order to arrive early for a 2 pm Bardo screening at the Paris theatre. It all happened according to plan.
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Rishi Sunak, Liz Truss’s 42 year-old successor, will soon become the youngest Prime Minister in British history. He and wife Akshata, daughter of Indian billionaire N.R. Narayana Murthy, have a combined fortune of $730 million and perhaps over a billion dollars.
Born on 5.12.80, Sunak would be a Millennial if he had begun life a year later. He’s technically a very young GenXer.
From a certain angle Sunak almost seems like a conservative JFK — young, slim, good-looking, loaded. The non-JFK factor, according to British broadcaster and former politician Nigel Farage, is that Sunak lacks charisma. “He’s very, very dull and detached, and doesn’t connect with ordinary folk,” Farage recently told Sky News.
Autocorrect is giving me all kinds of trouble when I attempt to spell the names of Rishi, Akshata and her father N.R. Narayana…stop pestering me!



“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...