Schneider: “Not that the Oscars count anyway. It used to be 100 million [viewers]…remember when they were really the Academy Awards? Barbara Walters interviewing Sean Connery or whomever was nominated that year and you’d watch with your parents and it was like ‘this is amazing!’
“And now the Academy is saying you have to have 40 percent LGBTQ-plus handicapped whatever…people who are challenged, emotionally challenged…it’s kind of like people have checked out…this isn’t really the best any more…it’s about how much they can suck up to this particular ideology of idiocy….it just turns people off…it turns me off. I haven’t watched [the Oscars] in years.”
Please start watching at 37:43 — Carolla answers with a riff about excellence in sports that is spot-on.
For whatever dumb reason I thought it was important to be able to covertly smoke cigarettes inside Wilton High School when I was 17 and 18. Talk about a stupid bullshit distraction but in my infinite infantile wisdom I thought it was cool to light up in the boy's bathrooms (there were two or three) and get away with it. Four or five friends felt the same away.
Login with Patreon to view this post

This morning I watched portions of the new Titanic 4K UHD Bluray (12.5), and I was seriously impressed by the super-sharp detail, enhanced compositions and generally exquisite fine-grain clarity.
My eyes recall very clearly what the film looked like 26 years ago (I saw it five or six times), and James Cameron‘s classic looks appreciably upgraded. It’s relatively rare for a 4K disc to deliver this kind of bump, but this one qualifies. The downside is that they’re charging $30 but I’m thinking I might pop for it.
@DemetriosPatsiaris (12.11): “As someone who worked on the 2011/2012 restoration/stereo conversion of Titanic, I can tell you that the raw scans looked very clean and well preserved. This UHD accurately reflects what was there, but better.”
@rmn070 (12.14): “Every review has given it a perfect score, and I can’t wait to get my hands on it. As nitpicky as it sounds but I’m pretty disappointed that the changes made in 2012 have been carried over. That original sunset would have looked glorious on 4K, but looks like it will stay in SD for the rest of time. Preservation purposes, you know?”
“The N.Y. Times’ problem has metastasized from liberal bias to illiberal bias, from an inclination to favor one side of the national debate to an impulse to shut debate down altogether. All the empathy and humility in the world will not mean much against the pressures of intolerance and tribalism without an invaluable quality that Sulzberger did not emphasise: courage.” — from James Bennet‘s “When the New York Times Lost Its Way.” posted on 12.14.23 in 1843 magazine.
Bennet’s article is a rehash of what happened during the woke Times upheaval of mid July of 2020 (“Weiss Exits Over Woke Torquemada Brutality“), or roughly two months after the George Floyd riots that began in late May of 2020.
"History is brutal, sad and full of wrongs. Was it unjust that even a single Arab family was forced to move upon the [1948] founding of the Jewish state? Yes. But it's also not rare. Happening all through history, all over the world, and mostly what people do is make the best of it. Eventually everybody comes to an accomodation."
Login with Patreon to view this post

I'm sorry but this "Overtime" passage made me feel good and settled and among friends. It mnade me feel the exact opposite of how I usually feel when I consider 50% or 60% of the acrimonious denial brigade on HE any given day.
Login with Patreon to view this post
Imagine being honestly, sincerely persuaded that May December is 2023’s finest film…imagine.
It is HE’s solemn opinion that anyone arriving at this conclusion is in the grip of a serious aesthetic fetish or an obsessive imbalance of some kind.
HE is earnestly supportive of Fallen Leaves (#4) and half-heartedly supportive of Showing Up (#2), Killers of The Flower Moon (#3) as far as it goes, Pacifiction, Anatomy of a Fall, Afire and The Zone of Interest (#5 through #8).


“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...