Call it the Poor Things effect…Maggie Gyllenhaal’s The Bride!, a feminist Frankenstein flick set in 1930s Chicago…Guillermo del Toro’s Dr. Frankenstein for Netflix…Zelda Williams and Diablo Cody’s Lisa Frankenstein. That’s it, right? Just three?
I’m sorry but I never want to watch another video of anyone doing any kind of X-treme jumping from cliffs, mountaintops, supertall bridges…no more skydiving or flying-squirrel gliding or free-falling or parachuting or bungee-jumping…I’m imaging that I’ve watched hundreds of these things and henceforth am only interested in wipe-out scenarios, which of course I’m being facetious about as I wouldn’t wish injury or tragedy upon anyone…it’s just the relentless sameness, the monotony, the repetition, the X-treme plague of it all.
From a 7.12.09 piece called "The Art of Paycheck Acting": "The Towering Inferno was entertaining crap when it opened [in 1974], but Paul Newman and Steve McQueen are honorable and oak-solid in their starring roles. This is impressive given that neither actor has a real part to play -- they were just paid to show up and go through the Irwin Allen paces. They knew it then and we know it now, but they deliver the goods anyway. That’s professionalism and star power.
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I always enjoy and often agree with N.Y. Times center-right columnist Bret Stephens, but I felt a little pissed off by what struck me as a Trump-friendly column (1.11.24), titled “The Case for Trump …by Someone Who Wants Him to Lose“.
I’m not going to re-hash the essay chapter and verse, but it’s fair to say that Bret’s opinions about wokesters (i.e., “the progressive left”) are mostly on-target.
True: “Academia, mostly liberal, became increasingly illiberal, inhospitable not just to conservatives but to anyone pushing back even modestly against progressive orthodoxy.”
True: “Trump and his supporters called this out, [and] for this they were called idiots, liars and bigots by people who think of themselves as enlightened and empathetic and hold the commanding heights in the national culture. The scorn only served to harden the sense among millions of Americans that liberal elites are self-infatuated, imperious, hysterical, and hopelessly out of touch.”
I also agree with Bret’s statement that Trump “shared the law-and-order instincts of normal Americans, including respect for the police, something the left seemed to care about on Jan. 6 but was notably less concerned about during the months of rioting, violence and semi-anarchy that followed George Floyd’s murder.”
Except it wasn’t months — the Floyd riots lasted four or five weeks, something like that.
But I really hate the way Bret has minimized, looked the other way at and otherwise normalized Trump’s sociopathic nature and his brutish, anti-democratic, flat-out criminal behavior.
Others feel this way or the Times wouldn’t have posted a follow-up dialogue between Stephens and Patrick Healy called “Three Questions for Bret Stephens About His Trump Column.”
Hugs and condolences for the family and friends of ’70s actress Tisa Farrow, who has passed at the age of 72. I knew her only from her brief performances in Woody Allen‘s Manhattan and James Toback‘s Fingers. Her line in Manhattan — “I finally had an orgasm, and my doctor told me it was the wrong kind” — is not the sort of line that you forget. It’s kind of legendary in fact.
Ten nominees have been announced for the PGA's Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures -- American Fiction (Scott Feinberg and Clayton Davis breathe sighs of relief!), Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon (indigenous struggle), Maestro, Oppenheimer, Past Lives, Poor Things and The Zone of Interest.
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…but where and whom you’re seeing it with.
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“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
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After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
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The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...