“A Woman Must Have Everything”

Putting aside Travis Kelce’s unfortunate troglodyte behavior, which is a whole problem in and of itself and one that would give pause to any woman of brains and perception, he is now facing a deck of cards that will probably not pan out in his favor.

For when his fame and power inevitably begin to recede with age, Taylor Swift will begin to value him less. Unless, that is, he somehow becomes a troglodyte macho movie star like John Cena, in which case things will probably be fine. (I honestly don’t think he’s smart or clever enough to fill those shoes — he’s too much of a Midwestern oaf.)

We all know Taylor’s deal as she seems to go through boyfriends like potato chips and uses relationship breakups as song-lyric fodder and probably is, in all likelihood (although I’m obviously not claiming familiarity with her deep down stuff), a fairweather lover.

Hey, the world’s full of them.

I’m not trying to pigeonhole Swift, but she seems like a leggy, musically banal version of Mary Astor, Tallulah Bankhead, Isadora Duncan…it’s all about impulse and dough and the lyrics in her head.

“A woman must have everything” — a mid ‘70s Joni Mitchell lyric that is probably even more true in 2024, especially when it comes to super-famous, glammy, high-earning, high-maintenance women.

They’re obviously exciting wowser types (hoo-hah!) but they’re mainly about their own self-articulated dreams and creations and are always “hungry for those good things, baby” (Paul Revere and the Raiders w/ Mark Lindsay) and are not your true pallies — if you want a friend, get a dog or turn to your mom or your older sister or the bruhs you’ve known since your teen years.

Super-wealthy, power-pop Swiftian girlfriends can only be happy and satisfied with boyfriends and husbands who are just as rich and powerful as they are and preferably more so. (Think Elizabeth Taylor and Mike Todd in the mid to late ‘50s)

At best they’re your social ally and mutual sexual celebration partner for as long as the BMW engine is highly-tuned and rumbling along and the good times are flush, but when the music begins to quiet down and the electric generator dynamic begins to downshift into a mild, mid-range hum, watch out.

For “that’s when your heartaches begin” (a Fred FisherWilliam HillWilliam Raskin song, sung by Elvis Presley).

Joni Mitchell, Paul Revere, Mark Lindsay, Elvis Presley, Al “hoo-hah” Pacino, Isadora Duncan, Elizabeth Taylor…they’ve all been through it.

In short, the Kelce-Swift romance isn’t long for this world unless they get down, get married and have a baby…this is the only thing will save them…the only profound product of their union. A baby will also mean an end to the great sex, of course, but that’s life.

If I were Swift I would find a guy more like Brock Purdy, but that’s me.

The Hairy Ape

There’s nothing uncool about emotional fire and exuberance, but Travis Kelce behaved yesterday like a bellowing three-toed sloth. If you ask me he not only embarassed himself but Taylor Swift in the bargain. No sense of class or modesty. And I don’t like the Marine boot-camp hair and the long bushy-ass beard.

If I was in Swift’s boots I would be seriously re-thinking the situation. Who wouldn’t?

Brock Purdy is cooler, modest and moderate, better looking and a great quarterback.

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Bullshit-Free Spectacle

I was amazed how cranked and excited I was by yesterday’s Super Bowl duel. I haven’t felt so crazily absorbed by a game of any kind, ever.

And — this is an Adam Carolla thing — I was reminded again about how wonderfully un-woke the sporting world is…no equity, no race bullshit, no DEI, no POCs complaining about not being shown the proper deference or accusing whiteys of fucking them over.

The players last night were on the field because they were good, period. They had proven their worth during the just-concluded season and were totally trusted by their coaches to perform well and to their utmost, and that’s all anyone cared about.

What’s that expression again? Oh, yeah, right — “merit over equity.”

Another thing about sporting competitions is that everyone accepts is that one team or another (or one golfer or tennis player or whomever) is going to lose, and that’s that. Life is hard, competition is demanding and certain competitors are going to feel gutted when they lose. But that’s life.

Imagine if Hollywood and the Oscars were to operate with this attitude. Talent matters! Only the best! Industry politics and high school popularity sentiments have always been a thing but equity standards are a whole different game —- an obstruction, a corrective.

Hoffman Finally Gets Wise About “Coup de Chance”

Five days after reporting that domestic distribution-wise “nothing is in the works” for Woody Allen‘s Coup de Chance, THR‘s Jordan Hoffman has reversed course by in effect announcing “oops, sorry ’bout that…Woody’s film will be distributed here after all, and within a couple of months.”

The cool-as-a-cucmber Coup de Chance, which debuted to mostly rave or approving reviews at last September’s Venice Film Festival, will debut theatrically in “North American markets” on Friday, 4.5.24, to be followed by a digital/VOD release on Friday, 4.12. The distributor is MPI Media Group.

Need I repeat that two and a half weeks ago (1.24.24) HE reported that “a certain U.S.-based distributor is looking to open (or at least stream) Coup de Chance a couple of months hence, give or take”?

Need I also repeat that on the same day as Hoffman’s “nothing is in the works” article I reported that Hoffman was “dead wrong about this,” and that “a distribution deal has been hammered out (at the very least involving streaming and possibly even a touch of theatrical)” and that “an announcement about same would happen sometime this week.”

The MPI announcement was delayed until today…no biggie.

A Woody Allen film opening theatrically two months hence obviously represents a #MeToo thaw or a lessening of woke Robespierre insanity. Hoffman’s story ignores the cultural significance of this. Why doesn’t Hoffman acknowledge this? I’ll tell you why he doesn’t acknowledge this. Because he’s not allowed to mention it because Penske Media, which owns THR, is totally in bed with the wokesters.

The last Allen film to play theatrically was Wonder Wheel (Amazon) on 12.1.17 — just over six years ago. Allen’s A Rainy Day in New York (’19) and Rifkin’s Festival (’20) received no theatrical exposure due to #MeToo condemnation of Allen over the Dylan Farrow accusations, although both eventually turned up on airplane flights and as streaming titles. Hoffman notes that Rainy Day became a surprise international hit ($28.3 million gross), “particularly in Asia.”

Oscar Poker: Superbowl Meditations

There’s nothing wrong with an occasional friendly argument, and that’s how our special Super Bowl edition of Oscar Poker began earlier today. And then Sasha and I moved on. It’s all in good fun (most of it) and described below.

And it was a really great Super Bowl, and the Chiefs pulled off a win! Here’s the link.

Again, the link.

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HE Likes San Francisco QB Brock Purdy More Than Travis Kelce

I’m sorry but San Francisco 49er QB Brock Purdy, 24, is playing a brilliant game, hasn’t lost his temper, and is better looking than Travis Kelce.

Kelce’s meltdown wasn’t cool. His temper could eventually contribute to the end of the Taylor thing…who knows?

It’s halftime and the Chiefs are seven points behind the 49ers, 10 to 3. The Chiefs are going to lose…I can feel it. Update: The score is now 10 to 4, 49ers still in the lead.

Taylor Swift is too old for Purdy, of course. Plus he has a girlfriend, Jenna Brandt.

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