First Cannes Film Festival, 33 Years Ago

1992 was my very first year at the Cannes Film Festival (I was there for Entertainment Weekly and Barbara O’Dair), and that was the year, of course, of Reservoir Dogs, which I saw there, of course, and fell insantly in love with,.

It pained me that I couldn’t get into the press conference (it might have had something to do with people with regular pink passes being told to wait until all the pink-with-yellow-pastille badge and lordly white-badge journos had been let in first). But I did manage to attend a Reservoir Dogs meet-and-greet soiree at the Majestic, which was cool.

Posted on 7.7.21:

For mostly sentimental reasons, I can’t stop telling myself that the 1992 Cannes Film Festival (5.7 to 5.18) was my absolute personal best. Because it was my first time there and therefore it felt fresh and exotic and intimidating as fuck. I had to think on my feet and figure it out as I went along, and despite being told that I would never figure out all the angles, somehow I did. ‘

It also felt great to be there on behalf of Entertainment Weekly and do pretty well in that capacity. Plus it was the first and only Cannes that I brought a tuxedo to. I’d been told it was an absolute social necessity.

Here are some of the reasons why I’ve always thought ’92 was the shit.

The first time you visit any major city or participate in any big-time event things always seem special and extra-dimensional…bracing, fascinating, open your eyes…everything you see, taste, smell and hear is stamped onto your brain matter…aromas, sights, protocols, expectations, surprises.

Nearly every night I enjoyed some late-night drinking and fraternizing at Le Petit Carlton, a popular street bar. (Or was it Le Petit Majestic?) If you can do the job and get moderately tipsy and schmoozy every night, so much the better. (Or so I thought at the time.) A year earlier I read a quote from P.J. O’Rourke — “Life would be unbearable without alcohol”. I remember chuckling and saying to myself, “Yeah, that’s how I feel also.” Jack Daniels and ginger ale mood-elevators were fun! Loved it!

But not altogether. Four years later I stopped drinking hard stuff; 20 years later (3.20.12) I embraced total sobriety.

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Sterling Supporting Cast

Talk about your powerhouse second-bananas! In one 1957 western just about every formidable mid ‘50s character actor appeared — Lyle Bettger, Frank Faylen (Dobie Gillis), Earl Holliman (“Where is Everybody?”), Dennis Hopper (Giant) Whit Bissell (foot and mouth disease guy in Hud), Martin Milner (Route 66), Kenneth Tobey (The Thing), Lee van Cleef (High Noon), Jack Elam…who didn’t they hire?

VistaVision “Gunfight” at TCM Festival

Last weekend a special VistaVision presentation of John Sturges and Hal Wallis‘s Gunfight at the OK Corral (’57) happened at the Chinese by way of the TCM Film Festival.

Kino Lorber’s reportedly excellent 4K Bluray version has been available since late February, but there was still an expectation that the TCM screening would deliver a visual “bump”.

Why? Because the venerable man in the booth, Boston Light and Sound’s Chapin Cutler, was showing an extremely rare horizontal 8-perf VistaVision print. The vast majority of 1957 audiences saw Sturges’ film in 35mm.

Did the VistaVision Gunfight deliver, in fact, a bump over the Kino 4K? Maybe…who knows? No one who attended has offered a comparison, but I would be surprised if the VistaVision presentation offered anything double- or triple-wowser or even significantly “better” (sharper, grander, more impactful) than what the Kino 4K delivers on my 65-inch Sony 4K. (So far I’ve only seen an HD streaming version.)

And yet it was projected on that big Chinese screen under optimum conditions (Cutler is the best projectionist on the planet earth right now), and the film-nerd gang was all there. I’m sorry I wasn’t able to attend. I’m sure everyone enjoyed this approvable-if-less-than-classic western.

I’ve been trying to find images from Mad magazine’s “OK Gunfight at the Corral.” I distinctly recall a Purple Rose of Cairo image of Kirk Douglas‘s boozy Doc Holliday, and a caption that read “Doc, drunk as a skunk, shoots an usher in the movie theatre balcony” or words to that effect.

I despise low-thread-count T-shirts as a rule, but I’ve got to buy one of those shamrock green VistaVision fuckers.

Posted a couple of days ago by losangelestheatres.blogsot.com: