In no particular order, off the top of my head — the 27 Best Picture winners that have aged the best, still hold up, not necessarily the best of their respective years but entirely respectable: Spotlight (’15), Birdman (’14), 12 Years A Slave (’13), The Hurt Locker (’09), No Country For Old Men (’07), The Departed (’06), Schindler’s List (’93), The Silence of the Lambs (’91), Platoon (’86), Terms of Endearment (’83), Ordinary People (’80), Annie Hall (’77), The Godfather, Part II (’74), The Godfather (’72), The French Connection (’71), Patton (’70), Midnight Cowboy (’69), A Man For All Seasons (’66), Lawrence of Arabia (’62), The Apartment (’60), The Bridge on the River Kwai (’57), On The Waterfront (’54), From Here To Eternity (’53), All About Eve (’50), All The King’s Men (’49), The Best Years of Our Lives (’46), Casablanca (’43).