Five Big Short Die-Hards (a.k.a., Flintlocks and Sabers At The Alamo)

Hollywood Elsewhere to Matt Atchity of Rotten Tomatoes, Tim Gray of Variety, Nicole Sperling of Entertainment Weekly, Sasha Stone of Awards Daily and Glenn Whipp of the L.A. Times: Last night I caught my third viewing of The Big Short. I saw it with a first-timer (a lady who knows the markets) at the Landmark on Pico. Loved Ryan Gosling, still irritated by Christian Bale (Aspergers personality , odd teeth , bare feet). It’s a very smart, sometimes funny, engaging-as-far-as-it-goes tutorial and a total Bernie Sanders movie…great! Politics aside I liked it better than I did the first time and about as much as I did the second, but it doesn’t have that Best Picture schwing…it just doesn’t. I think it’s obvious that em>The Revenant will take the Best Picture Oscar. And yet you’re continuing to predict a Big Short win on Gold Derby.com. And that’s totally fine. I admire your fortitude. But could you share your reasons why? Above and beyond the statistical precedent factor or the PGA vote? Gut-wise, what tells you that it has a decent shot? Because the lady I saw it with last night was going “it’s too hard to follow…it’s not well-organized, Bale is too weird, I liked Spotlight much better,” etc.