“[Many of today’s] screenwriters have gone to college for four or five years, and where they’ve been told incessantly [that] the world is inherently racist and sexist…everyone is awful, everyone hates each other and it’s just this big heirarchy of everyone getting oppressed by everyone else, and so that’s going to be reflected in what they write and what they try to rationalize in their stories, and that’s why [we’re getting what we’re getting].”

In the view of Will Jordan‘s “Critical Drinker” (or, if you will, just plain Jordan) a good portion of the woke poisoning of iconic characters has happened under the influence of the Disney death star.

“They took over the Stars Wars brand, they took over Marvel…and in the case of Star Wars you would see characters like Han Solo, Luke Skywalker…these classic heroes from 20, 30 years ago” — actually 40 to 45 years ago — “that were awesome, and suddenly they’re gettin’ brought back and [they’ve become] deadbeat dads or grumpy old men livin’ on an island, and they want to die and have lost all hope…it’s a terrible thing to do to these characters…it’s one thing to kill them off, and another to destroy their legacy and the very essence of who they were.”