I’ll post the official festival video of the just-concluded Megalopolis press confererence when it pops through…sometimes it takes a few hours.
“Admirable Coppola,” posted 2 and 1/3 years ago:
We’re always adapting — all of us, but especially Type-A creative types. Maturing, cranking up, calming down, adjusting, shape-shifting — always in response to a changing world. It follows that no 40 year-old director is exactly the same in terms of craft, choices and sensibility as he/she was at age 30.
I think Francis Coppola (whom I had the pleasure of doing a two-hour phone interview with 41 years ago) was one guy when he made The Godfather, The Conversation and The Godfather, Part II. He was a slightly different guy when he made Apocalypse Now, and a faintly altered version of the Apocalypse Now guy when he made One From The Heart. He was a whole different dude when he made Jack — that’s for damn sure. And a much different guy when he made Tetro, Youth Without Youth and Twixt.
Coppola has said he’s planing to invest over $100 million of his own dough in Megalopolis, which he’s called “a love story that’s also a philosophical investigation of the nature of man.”
It is my prediction that however good or bad it turns out to be, Megalopolis won’t connect with Joe Popcorn. Some will see it (I certainly will) but most won’t, and it’ll just end up as a streaming selection. That said, Coppola is living righteously for an artist who’s nearly 83 — still striving, still dreaming. Here’s hoping he makes Megalopolis and that it satisfies those who are willing to take the journey.
It was sometime in the mid-fall of ’81 (call it 40 years ago), and I’d been working as managing editor of The Film Journal for a bit more than a year. I was working late (well after dinner, close to 9 pm) and decided to try my luck with Francis Coppola, who was staying at the Sherry Netherland.
I should have gone through his publicist, Renee Furst, but she would’ve told me to wait until One From The Heart‘s release in February. So I just went for it. I cold-called him, he picked up, I somehow put him at ease and we talked for almost two hours. I recorded our chat and ran the transcript as a two-parter.
Secret ingredient: I dropped a quaalude (Lemmon 714) just before I called, and you know what quaaludes do — they loosen your inhibitions and make you feel confident and unflustered and loosey-goosey. So I wasn’t afraid to say anything, and I was feeling kind of empowered and eloquent and plugged in, and it all worked out. I never did another quaalude interview — this was a one-off.
