In May ‘22 “Paramount Presents” released a 4K Bluray of John Ford’s The Man Who Shot Liberty Valance (‘62) that didn’t pass muster. Restoration guru Robert Harris called it technically flawed (de-grained with an overlay of fake amoeba swirls). Three months hence (3.5.24) a remastered 4K disc (sans amoeba) will go on sale.
HE reminder: The last name of John Ireland’s “Cherry Valance” in Red River (‘48) is pronounced Val-ANCE while the surname of Lee Marvin’s arch-villain in TMWSLV is pronounced VAL-unce. Exact same spelling.
9 days ago::
Today:
“We knew a [movie villain] of old by his Black Hat or his Black Moustache; and today by his white skin.” — a passage from David Manet’s “Everywhere An Oink–Oink.”
From Mark Athikatis’s Washington Post 12.7.23 review:
A just-released Wall Street Journal presidential preference poll has Nikki Haley running 17 points ahead of President Biden — 51% to 34%. That’s not a huge margin but the thundering rumble of mighty horses.
The Beast is also beating Gurgly Joe, but only by 47% to 43%. Biden and DeSantis are running even, 45% to 45%.
THR’s Scott Feinberg surely understands in the depths of his soul that he’s deeply disappointed (angered?) the Movie Godz by placing the three most admired, exciting and deserving Best Picture contenders — Poor Things, Maestro, The Holdovers — in the #5, #7 and #8 slots in his latest Oscar prediction column.
I realize that Variety’s Clayton Davis doesn’t approve, but American Fiction, as much as I adore the first 45 to 50 minutes and agree that it’s among the year’s finest, is not happening as a frontrunner. Pundit-wise it simply hasn’t caught on like some of us thought it might..
Take away the guilt + identity factors and nobody really loves Killers of the Flower Moon — it’s a long hair shirt movie with a tiresome lead character. And Barbie has been showered with more than enough accolades, thanks.
The latest Gold Derby rankings are more accurate.
Jordan Ruimy: “GD-wise I honestly think The Holdovers should be #3. Ahead of Poor Things. Joe and Jane LOVE The Holdovers. Every non-critic I speak to cannot stop raving about it.”
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