Arguably The Most Arduous Trilogy in Cinema History

I’m finally about to sit through Pablo Larrain ‘s Maria (Netflix, 12.11) which I blew off seeing during last September’s Telluride Film Festival.

Reviews have been middling to mediocre, and I just know it’s going to sap my spirit and send me into the doldrums.

In my eyes, ears and soul the first two of Larrain’s feminist dramas — Jackie and Spencer — were torture to sit through, and it’ll be a miracle if I wind up being pleasantly surprised by Maria.

Later today I’m also going to sit through Part Two of The Brutalist, and I guess I’m kind of wondering how the…uhm, violation scene will be handled.

Not So Much Missing As Omitted

If there’s a slight problem with A Complete Unknown, it’s that Timothee Chalamet’s Bob Dylan is a little too elusive and circumspect — too much of an artful dodger or a snotty sidestepper — to register in straight dramatic terms.

It needs at least one scene in which Dylan lays his cards on the table and says “this is what I want” or “this is who I fucking am or at least who I’m not any more”…something like that.

And if you ask me, Dylan’s rambling remarks at the Bill of Rights dinner at the Americana hotel on 12.13.63 (three weeks after JFK’s murder) are fairly declarative in this sense.

Martin Scorsese read from Dylan’s remarks in a passage from No Direction Home (‘05), his 208-minute documentary about roughly the same period in Dylan’s life that A Complete Unknown covers. Re-using this event — this scene, these words — would have added a little something to James Mangold and Jay Cocks’ upcoming feature.

Excerpt: “Man, I just don’t see any colors at all when I look out. I don’t see any colors at all, and if people have taught anything through the years [it’s] to look at colors. I’ve read history books, but I’ve never seen one history book that tells how anybody feels. I’ve found facts about our history, I’ve found out what people know about what goes on but I’ve never found anything about what anybody feels about anything that happens.

”It’s all just plain facts. And it don’t help me one little bit to look back.

“I wish sometimes I could have come in here in the 1930s like my first idol – used to have an idol, Woody Guthrie, who came in the 1930s. [Applause] But it has sure changed in the time Woody’s been here and the time I’ve been here. It’s not that easy any more. People seem to have more fears.

“There’s no black and white, left and right to me anymore. There’s only up and down and down is very close to the ground. And I’m trying to go up without thinking about anything trivial such as politics.”

Paul Mescal’s Paul McCartney Casting in Mendes’ Beatle Quartet Is Flat-Out Tragic — A Major Perversion of A Respected, World-Famous Brand

Gladiator II offered conclusive proof that Paul Mescal lacks any kind of natural commanding charisma…the kind of sexy juice vibe that lights up a room the second he enters it. At best he’s a subdued character actor pretending and failing to be a movie star. On top of which he kinda looks funny or even a little bit dopey with that hawk nose and pointy chin and all.

The good-looking, close-to-pretty Paul McCartney had that X-factor thing in spades, of course, in his long-gone youth, and he retains a smidgen of that today. The man has/had a quality that can’t be faked, and certainly not by an Irish jerkoff. It’s therefore grotesque to think of Mescal playing McCartney in a film…horrific, in fact…a Notre Dame gargoyle pretending to be a kind of silver-throated prince.

In Exchange For Not Making A Media Stink About Her Kaput Relationship With Don Jr. In The Wake of His New Romance With Bettina “Longfoot” Anderson

…President-Elect Donald Trump has bought off Kimberly Guilfoyle, 55, with an Ambassador to Greece appointment…a neat and tidy “shut up” payoff…signed, sealed, delivered.

Get thee to Athens, oh my aging Kimberly, where you will most certainly hook up with your next wealthy boyfriend.

At 38, Bettina is 17 years younger —- an obviously brighter future indicated for the nearly 47-year-old Donald Trump Jr.

Oscars Had No Choice But to Embrace Streaming

Under-45s have no cable subscriptions, and they sure as hell haven’t been watching the Oscar telecast in increasing numbers over the past few years. So the Hulu add-on makes sense.

And if the Oscars really don’t want to be toast they’ll need to trim their sails in terms of the DEI wokey virus by raising high the roof beam carpenters while praising films about real-deal people and real-life currents minus any traces of bullshit AMPAS progressive instruction (some Anora, Conclave, A Real Pain and Babygirl action would be excellent antidotes).

Will Hulu streaming energize the Oscar brand? Will the emerging new wave (enuf with the intolerable wokey) sink in before it’s too late?

All Hail LAFCA Foodies for Choosing “Anora” As Best Picture + Mikey Madison for Best Leading Performance (Along with Marianne Jean-Baptiste)

HE continues to frown upon the bourgeois brunch-munching but LAFCA has done a good thing by boosting Sean Baker’s farcical Brooklyn dramedy.

HE also applauds the Boston Society of Film Critics for heaping even more praise upon Anora — Best Picture, Best Director (Sean Baker), Best Actress (Mikey Madison) and Best Original Screenplay (Baker).

Insult That Can’t Be Walked Back or Apologized For

The other night in the Village Market I was struck by a decades-old memory pang. The creased but attractive face of a middle-aged, possibly 60ish woman in a black overcoat is what triggered it.

I was 85% to 90% certain I’d run into her back in the ‘70s, so to alleviate that 10% to 15% of doubt I did the unthinkable: I politely approached her in the soaps and Febreze and detergents aisle and asked if she’d been running around Wilton in the mid ‘70s, or if she was a contemporary of an ex-girlfriend of mine who’d graduated from Wilton High in ‘75 or ‘76.

It wasn’t her negative reply (no biggie) as much as a resigned or forlorn look on her face that suddenly colored the mood. For she hadn’t graduated in the ‘70s but in 1989, she said, or 35 years ago. Which means she’s currently around 53, give or take.

Alas, my question had indicated (and there was no going back on this!) that her appearance, in my judgment, might be that of a lassie in her mid ‘60s.

Honestly? Fetching as she is for an older woman (she has a cute chipmunk face), she could have been 65 or thereabouts. I’m sorry but some of us look our age or younger than (especially if you’ve had some Prague touch-ups), and some of us look a bit worse for wear. And now I’d insulted this poor lady in a supermarket aisle, and there was no honest way to apologize.

Chipmunk lady had entered the market as a woman in her early 50s, a GenXer feeling pretty good about her life, and left it as someone 12 or 13 years older — a retirement-age boomer looking at a biological downslope.