Preface: The insanity out there is such that anyone sharing sensible, scientific views about transgender issues has become, in the eyes of some wokesters, extra-heinous due to the recent horrific murder of Laura Ann Carleton, 66, in Cedar Glen (just east of Lake Arrowhead) by Travis Ikeguchi, a 27-year-old wackjob who was killed by police in a shootout.
In other words, if you hold sensible, moderate opinions about trans choices and lifestyles you’re an accessory to murder. This is why the term “Crazy Town” has caught on these days; because some on the extreme left have completely lost their minds. [End of preface]
Every sane person feels an alignment with Carlos, of course, but liberal-minded types are afraid to say otherwise for fear of wokester retribution.
Maestroleon concept poster is, at the very least, an excellent start. Visual designer: “I couldn’t find a good high-rez Leonard Bernstein so I just enlarged Joaquin’s nose and gave him glasses.”
I know this expression. I’ve worn it myself a few times. It says “I’ve been practicing this hard-ass glare in my Bedminster bathroom since this morning.”
He clearly rehearsed and refined the glare and achieved a certain “don’t tread on me” theatricality.
He’s an animal but you have to give the devil his due — he’s been performing in front of cameras for decades and knows what works and what doesn’t in terms of conveying that tough mafia boss persona.
What wasn’t intended but came through anyway: the man looks cornered, like a defiant rat. James Cagney’s Cody Jarrett on top of that huge oil refinery tank — “Come and get me!”
A possibly wiser way to go would have been to flash that big, beaming, pasted-on smile that he uses when posing with fans and allies. That would have said “they can book me but they can’t deter me or quash my spirit.”
He’s well past “playing it smart”, of course. His basic psychology took over a long time ago.
Okay, I am judging somewhat. I’m sharing a certain observational concern about the ahistorical S&M (B&D?) lipstick labeling on Vanessa Kirby’s neck.
This just-released teaser poster for Ridley Scott’s Napoleon (Apple/Sony, 11.22) is obviously aimed at the you-go-girl crowd. Oh, to have been an irreverent queen of France, guided by whim and smothered in early 19th Century luxury!, etc.
But the lipstick also tells me that Scott’s film may be tilting a bit more toward the aesthetic styling of Sofia Coppola’s Marie Antoinette and less in the highly scrupulous manner of Stanley Kubrick’s Barry Lyndon.
Or maybe the marketing has nothing to do with the film at all. Who knows?
The Duellists-era Ridley was a classicist, but maybe he’s decided to adapt to new ways of thinking?
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If I Was Costner, I’d Probably Throw In The Towel
Delicious, Demonic Otto Gross