N.Y. Times critics A.O. Scott and Manohla Dargis have written that “for many” — code for themselves and other top-dog elites like Jim Hoberman, John Powers, Glenn Kenny, Scott Foundas, et. al. — Cannes-spotlighted directors like Jean-Pierre and Luc Dardenne (Le Silence de Lorna), Nuri Bilge Ceylan (Three Monkeys) and Lucrecia Martel (The Headless Woman) “are the real stars of Cannes. In America their names may be met with blank stares, but here they walk up the same red carpet as some of the most prominent Hollywood filmmakers and celebrities. And this may be the ultimate measure of the festival√ɬ¢√¢‚Äö¬¨√¢‚Äû¬¢s integrity as well as a reminder of its noble traditions.”
