…around people who say “see this movie only with people you feel safe with.”
What might happen of an unwelcome nature if you were to see, say, an ethnically-focused film with someone or a group of people you didn’t feel “safe” with? What would these imagined threat people do that might mess with your heads or feelings? How would they malign your viewing experience?
Remember that 20something TikTok woman who called upon white moviegoers to not attend commercial showings of Black Panther: Wakanda Forever on opening night?
I’ve been watching films all my life (starting at age four or five) without knowing or caring to know if people sitting around me were “safe” or not. As long as they don’t talk or text or take their smelly shoes off I can watch films with anyone.
Because I really don’t want Kamala Harris to take over. Really. I’m a center-lefty (i.e., a centrist with a classic liberal history before the scourge of wokeism) but I’d honestly feel better about Nikki Haley. She’s a better candidate now than Harris was in ‘19 and early ‘20.
“That’s the one thing that Democrats and Republicans have in common — they’re both waiting for their [likeliest Presidential] candidates to die.” — Bill Maher monologue, 11.10.23.
Yesterday Warner Bros.s David Zaslav shelved the finished and ready-to-go Coyote vs. Acme — no theatrical or MAX release. From this act of brutality WB derived an estimated $30M writedown, with Coyote vs. Acme having cost $70 million.
Had a lot of fun scoring Coyote Vs Acme. As no one will be able to hear it now, due to bizarre anti-art studio financial shenanigans I will never understand, here is a bit of behind the scenes footage of our “Meep Meep” Roadrunner choir, with apologies to Tchaikovsky… pic.twitter.com/HL7h00rXpp
— Steven Price (@SteveBPrice) November 10, 2023
I’ve sliced out the date and location of this festive affair, but doesn’t it feel great with the SAG/AFTRA strike over and done with and actors finally free to mix and mingle?
HE salutes FYC’s Scott Mantz for sticking his passionate neck out and predicting that Blackberry‘s Glenn Howertion will might snag a Best Supporting Actor nomination.
Perri Nemiroff is also a Howerton supporter….respect.
Unfortunately Jeff Sneider doesn’t show the same level of conviction and cojones — he only has Howerton as his tenth-favorite choice. Why? Not because Howerton’s performance as former BlackBerry honcho Jim Balsillie isn’t excellent, but because BlackBerry “is such a small film” and blah-dee-blah. What Sneider is saying is that the frugal-minded IFC Films isn’t spending any money to push Howerton…that’s what he really means.
My second favorite Best Supporting Actor contender is Dominic Sessa in The Holdovers. A great debut performance. Can’t be denied.
I wasn’t especially knocked out by Robert Downey, Jr.‘s performance as the slimy, weasel-like Lewis Strauss. He’s fine but I really don’t get the jumping-up-and-down. Barbie‘s Ryan Gosling is appealing as Ken, but it’s a broad, self-mocking, look=at-what-a-clueless-child-I-am showboat performance. Robert De Niro is dullsville in Killers of the Flower Moon. I haven’t seen American Fiction so I have no opinion on Sterling K. Brown. Mark Ruffalo‘s selfish, self-lampooning shithead in Poor Things is a meh.
Charles Melton‘s performance in May December isn’t happening…forget it.
…don’t give The Marvels your box-office dollars this weekend. The megaplexes are obviously counting on families to show up and inhale the popcorn and slurp down those giant-size Cokes, but don’t do it! A 61% Rotten Tomatoes rating means “it stinks!”
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