A pair of Oscar weekend dust-ups happened last Saturday night (3.9).

The first, reported by Puck‘s Matthew Belloni, occured at Chanel’s 15th pre-Oscar awards dinner at the Beverly Hills Hotel, and involved director David O. Russell and Sanford Panitch, president of Sony Motion Picture Group.

Panitch reportedly tripped over Russell’s crouching or otherwise outstretched leg, which reportedly prompted the hot-tempered Russell to stand up and punch Panitch “hard” in the gut. Except Panitch’s response, according to Belloni, was to “laugh and move on” after realizing who his assailant was.

But how “hard” could that punch have been if Panitch basically shrugged it off? If someone had gone into Sonny Liston mode and slugged me in the solar plexus I would have said “whuoouhff!” and then “what the fuck, dude…it was an accident.” Panitch didn’t even do that — he went “hah-hah!” or maybe “hoo-hah!” and went on his way. Doesn’t add up. Belloni was almost certainly exaggerating.

I tried to get the skinny from one of the horse’s mouths before tapping this out…silencio.

Dust-up #2, reported by THR‘s Kim Masters and Lesley Goldberg, was about Bill Maher firing CAA, which had repped him for 20 years, when they failed to wangle Maher an invite to an elite Saturday night Oscar party thrown by CAA co-chairman Bryan Lourd.

Alas, few tasty details have been offered by Masters and Goldberg. Did Maher ask his CAA agent (Steven Lafferty) to get him into the Lourd party a day or two earlier, or did he get pissy about it after hearing about the party the next day? Did he show up at the party under an assumption that he was on the guest list, only to be turned down at the door? These are important things to pass along or at least clarify one way or the other. Maher canned CAA on Monday, or roughly 48 hours later.

…we’re all going to die. A lot of Democrats are going to “come home” on election day, agreed, but many others are going to stay home. Joe Bader Biden’s denial, obstinacy and arrogance will almost certainly do the trick (i.e., return a lying criminal sociopath to the White House), and God help us. It’s really the fault of the wokeys, whom just about everyone despises with a furious passion.

Chris Cillizza and Nate Silver are not fools or idiots. They’re wired in. They know whereof they speak.

Because she was in a receptive erotic mood four-plus years ago, and because she gifted her former boyfriend Nathan Wade with a well-paid gig as a senior prosecutor on the Donald Trump election–racketeering case in Georgia, and because she recently decided to lie (i.e., commit perjury) about her romantic timeline with Wade, Atlanta D.A. Fani Willis has done an enormous favor for the foulest sociopath to ever threaten U.S. democracy in this country’s history. Brilliant! Take a bow!

I’m not saying Alex Garland’s Civil War (A24, 4.12) isn’t a first-rate film and I’m not saying it’s being over-praised, but I know one thing for sure and it’s this: Always regard South by Southwest hype askance.

Every now and then the adoring tweets are legit (like with Trainwreck a decade ago) but mostly you can’t trust anyone or anything out of Austin. Just sayin’.

A movie about an American civil war that doesn’t lay the Orange Cancer reality on the line? I don’t like the sound of that.

With Chris Pine‘s Poolman (Vertical) opting for a single-word title rather than Pool Man, why is Doug Liman‘s forthcoming Road House (Amazon, 3.21) not spelled as a one-word thing also (i.e., Roadhouse)?

Pine is Poolman’s star, director and co-writer, not to mention one of its four producers. His costars include Annette Bening, Danny DeVito, Jennifer Jason Leigh, DeWanda Wise, Ray Wise, Juliet Mills, Stephen Tobolowsky and Clancy Brown.

I’m asking myself what dramatic scenario would give me greater discomfort than Todd Haynes‘ forthcoming gay period romance?

C’mon, be honest…what would make me squirm in my seat more than watching a 1930s period piece in which an older, somewhat volatile Los Angeles cop (Joaquin Phoenix) falls into a torrid affair with “a deeply assmilated Native American schoolteacher” (not yet cast but probably to be played by a cute 20something guy) in the jungles of Mexico?

How many thousands of straight guys like myself are waiting for a film like this to come along? Can the number even be quantified?

World of Reel‘s Jordan Ruimy reported yesterday that Haynes’ untitled love story will begin shooting on 7.29.24.

Verbatim: “A brutal, passionate love affair that rearranges their perceptions of the past, the future, and themselves.”

DEI theology plus general progressive support for (or at least tolerance of) trans-gender procedures among minors appears to be weakening and perhaps even coming to a gradual end on various fronts. In HE’s view that’s not altogether a bad thing. One could argue it’s even reason for relief.

Six or seven years of anti-white-baddie thinking among lefties, an elite movement that more or less peaked with the George Floyd protests of May and June 2020, has had its effect. Ditto pro-trans-procedure sentiment among ardent progressives. But now, at long last, a pushback thing seems to be manifesting.

Yesterday 1619 Project author Nikole Hannah Jones lamented the negative effects of last summer’s Supreme Court decision that affirmative action is unconstitutional — a piece that basically conveys an “uh-oh, wait a minute, things are reversing” reaction to DEI wokeism.

Today (3.14) N.Y. Times columnist John McWhorter bravely argued that standardized SAT tests aren’t racist, and thus contradicted long-accepted woke dogma that standardized testing propagates injustice by enforcing white privelege.

A day earlier (3.13) Public‘s Michael Shellenberger and Alex Gutentag posted an article titled “The End of the Transgender Craze Is Near.” The subhead reads “the backlash against ‘gender-affirming care’ and trans-identified males in women’s sports and prisons is accelerating.”

The same day (3.13) an NBC San Diego report about a retail theft ring seemed to indicate that a movement to amend or even eliminate Prop 47, approved by California voters a decade ago to reduce California’s prison population, might be gathering steam. Prop 47’s decriminalizing of retail theft has resulted in mass theft operations like the one recently busted in Bonsall. The bad guys aren’t just the Bonsall couple but the wokey legislators behind Prop 47, which basically said to communities of color and economic deprivation “we understand that it’s hard to survive out there so we won’t make it a felony if you guys want to occasionally rip off retailers.”

Four days ago the Academy of Motion Picture Arts and Sciences announced an astonishing decision to bestow a major-category Oscar (i.e., Best Actress) based upon — are you sitting down? — the merit of a nominated performance rather than celebrating the non-white identity of a competing actress. What could the world be coming to?

Eight months ago an HE piece titled “Dropping Like Flies” (7.1.23) reported that four Hollywood DEI execs had either resigned or been let go; three days later another ankling in this vein was reported.

Last August Deadline‘s Michael Cieply reported that the Academy of Motion Picture Arts & Sciences has quietly stepped back from the absolutism of the 2024 representation and inclusion standards — i.e., “The Maoist DEI virus is weakening and receding.”

What do HE readers think? Are poltical and cultural changes starting to take effect or what? Are the wokeys starting to search around for pockets of tall grass?