My basic attitude toward Dexter Fletcher‘s Rocketman, which opened last night, is one of muted respect. As I said during the Cannes Film Festival, it’s not great and can’t say I loved it overall, but I was genuinely pleased and throttled by the first half-hour or so. As much as I felt underwhelmed by the drugs-and-debauchery section, I couldn’t put it down at the end because at the very least it’s an actual “musical” and at the end of the day is a better, more ambitious film than Bohemian Rhapsody.
Right now the Metacritic and Rotten Tomato reactions are at 73% and 90%, respectively.
Presumably a portion of the HE community saw it last night. Reactions are hereby requested.
From “For What It Is, Rocketman Works,” posted on 5.17:
I went into Rocketman with an attitude, but I felt pleasantly turned around soon enough. I was more taken with the first 30 to 40 minutes (Elton John‘s childhood, taking piano lessons as a teen, teaming with young Bernie Taupin) and less with the remainder, which is basically about Elton becoming more and more of a booze-swigging, coke-snorting party animal and his life downswirling into addiction and self-destruction.
I respect Dexter Fletcher‘s decision to not tell Elton’s saga Bohemian Rhapsody-style, using a linear “this happened and then that happened” approach. Instead he chose a more creative and dynamic (not to mention more cinematic) scheme by making it into a punched up, inventively choreographed, mad-brush Ken Russell musical.
The framing device is Elton confessing all during an Alcoholics Anonymous meeting. Out of this comes a looking-back-at-my-life, All That Jazz-type deal that uses several John-Taupin songs as emotional backdrops or undercurrents for various biographical moments.
The film isn’t biographically accurate in many respects (the musical scheme requires a suspension of realism and chronological history) and there’s a lot more interest in a glitter-and-glam aesthetic than any kind of semi-realistic presentation of how things really went down, but this is the film they chose to make.