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The idea in this Gilbert Gottfried doc is that you can present an agreeable, relatively mellow front with your friends, pets, neighbors and family members, and then become (i.e., revert to) a somewhat more pointed and aggressive personality when you’re “on” — performing, writing, acting or what-have-you. I am not Gottfried or vice versa, but to some extent I understand that dynamic.

Jeffrey Wells to Twitter Banshee Comintern: Please accept my humble apology for having written that a reportedly sober and recovering Devin Faraci deserved a second chance. I had read Tim League‘s letter about the former Birth.Movies.Death editor/columnist having embraced sobriety and presumably begun a healthier, less ferocious way of life. I’m not going to get into the beefs that many have had with Devin, but as one who felt cleaner, steadier and more open-hearted after embracing sobriety on 3.20.12, it seemed like a decent thing to say “okay, Faraci’s turning a corner, give him a break, allow him to become a better person.”

I’m very sorry for having said that. I should have bonded with the salivating wolves and said, “No, send him to hell….banish Faraci forever, kill his soul, exterminate his being, make him work as a cab driver or supermarket manager for the rest of his life.” I should have said that but I was too weak. I would love to possess the judgmental fibre of those fine people who’ve succeeded in changing League’s mind and persuading him to boot Faraci once and for all, but I haven’t found a way to do that yet. Help me, God….help me find the way.

Angelina Jolie‘s Evelyn Salt was trained as a child in a tough Russian Academy for lethal super-spies also…no? And then she went on to become a kind of double-agent? Red Sparrow (20th Century Fox, 3.2.18) is obviously a kind of retread. Director Francis Lawrence, the director of not one or two but three Hunger Games movies, is everyone’s idea of a hack, a journeyman, a well-paid stooge. In short, the perfect guy to helm Red Sparrow. Jennifer Lawrence looks either miserable or emotionally shut down or a combination of the two. I can’t wait to suffer through this thing.

“Drafted against her will to become a ‘Sparrow,’ a trained seductress in the service of Russian intelligence, Dominika is assigned to operate against Nathaniel Nash, a first-tour CIA officer who handles the CIA’s most sensitive penetration of Russian intelligence. The two young intelligence officers, trained in their respective spy schools, collide in a charged atmosphere of tradecraft, deception, and, inevitably, a forbidden spiral of carnal attraction that threatens their careers and the security of America’s most valuable mole in Moscow.” — from Amazon summary of Jason Matthews ‘Red Sparrow’ trilogy.

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The great Frank Vincent has passed on. He made dozens of films during his 40-year career, but as far as most of us are concerned he played only four roles — Salvy in Raging Bull, William “Billy Batts” Bentvena in Goodfellas, Frank Marino in Casino and Phil Leotardo in The Sopranos. White-haired, squashed-head Phil is really sleeping with the fishes now.

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From Jordan Hoffman’s Guardian review: “Jim & Andy: The Great Beyond — The Story of Jim Carrey & Andy Kaufman With a Very Special, Contractually Obligated Mention of Tony Clifton is an extremely watchable movie. It isn’t nearly as deep as it thinks it is, but it is marvellously entertaining.

“For a start, we get Carrey, today, speaking to us via interrotron and looking a lot like late-period Jim Morrison. At first, his recollection of his early career is lucid, but when he starts giving rich, psychoanalytical readings of his 90s comedies, and discussing how an artist has to live ‘up here’ at all times, it’s clear that he’s gone a little off the rails. Unless he just wants us to think that…

“Jim Carrey is gone. He never existed.” Watch the exclusive interview #TIFF17 | Variety Studio presented by @att pic.twitter.com/LBLa8DoaBH

— Variety (@Variety) September 13, 2017

“The material of him on set is unbelievable. Watch him annoy the hair and makeup people with loud music, watch him crash cars on the lot and trespass into Steven Spielberg’s office. Gaze on with wonder as this pompous and very talented clown refuses to answer to the name Jim. Co-star Danny DeVito thinks it’s funny but Judd Hirsch is just not having it.

“When Kaufman’s foe, wrestler Jerry Lawler, comes to set playing himself, all hell breaks loose. Carrey refuses to break character, and it results in an injury. (Maybe — who knows if any of this is real?) Forman looks exasperated, but Carrey is the star and if this is what Carrey sees as his process, Forman will have to put up with it.

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From a 9.13 USA Today interview with mother! star Javier Bardem, written by Andrea Mandell: “Darren Aronofsky is the opposite of my character [in mother!]” says Bardem. “He’s more into Jennifer [Lawrence]’s character than my character. When I met him I was like, ‘Where is this darkness coming from?’ Because he is the opposite of that. He’s nice, caring, generous, funny, very creative.

“But then I saw when he works, he doesn’t expect anything [less] than perfection. He is relentless.”

Certain contenders have fallen off the map after Telluride and the first six days of the Toronto Film Festival. Here’s how I honestly see things now via my most recent Gold Derby picks. Tell me what I’m missing or overlooking. I’ll be seeing The Wife tomorrow night so we’ll know soon enough if Glenn Close is in fact a new contender in the Best Actress race. The below boxes are as follows from the top down: Best Picture (boxes 1 & 2), Best Director (box 3), Best Actor (4), Best Actress (5), Best Supporting Actor (6) and Best Supporting Actress (7).

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It was reported yesterday that that Drafthouse CEO Tim League has decided to show a little compassion and largesse to Devin Faraci, the Birth.Movies.Death editor who lost his job amid allegations of a long-ago incident of sexual assault. League said that in light of Faraci having “entered recovery” and embraced sobriety since the allegations were made, he’s offered Faraci some work — copywriting at Alamo Drafthouse and writing blurbs for the Fantastic Fest guide.

“Seeing the work that Devin has been doing to acknowledge his faults, to address his addiction, and to better himself, I thought it was important to contribute to his recovery process by helping him with some means to earn a living,’ League said.

Speaking as one who became sober on 3.20.12 and who knows a little something about the clarity of mind and sense of stability that sobriety can bring, I think it’s great that Devin has taken this path. You have to show a little love in this world, we all make mistakes, people deserve second chances, etc.

Certain voices on Twitter have voiced disagreement with League and actually called for reprisals. People like this make me want to vomit. I know that Devin has some enemies and that maybe he’s earned their enmity, but journos who call for the utter ruination of fellows in their own trade are, in my opinion, grotesque. I pray that God will bring an appropriate dose of counter-karma into their lives.

I would never, ever come within 100 feet of a guy like Wiseau. Who in their right mind would? So you have to wonder about Dave Franco‘s character…where could he possibly be coming from? How many brain cells is he bringing to the table? I missed The Disaster Artist screenings here in Toronto. A24 is distributing, opening on 12.1…no invites in the inbox.

From Guy Lodge’s Variety review of Our Souls At Night, posted from Venice Film Festival on 9.1.17: “Fonda and Redford play this potentially sleepy material with spry, generous adroitness, genuinely listening and subtly playing off each other’s reactions and body language. This is hardly the most testing work of their careers, but even when Our Souls doesn’t require them to dig especially deep, their enjoyment of each other’s onscreen company is warmly palpable, and thus infectious: We share their pleasure in hanging out together, and duly miss them when they miss each other.”

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