I’ve been attending and covering the New York Film Critics Circle awards ceremony for the last two years (i.e., since I moved to New York), but this year someone other than HE publicist pally Jeff Hill handled the invites and I didn’t hear squat from anyone about anything. Nor did I pester anyone (including NYFCC honcho Armond White) about attending so the hell with it. While the NYFCC soiree unfolds tonight, I’ll be watching the all-media of The Green Hornet.

The King’s Speech star Colin Firth and his DGA-nominated director Tom Hooper were toasted as an Academy and press luncheon earlier today. Nobody is more polite or gracious or easy to chit-chat with than these two. And let’s repeat again that TKS is an exceptionally well-made film of its type, and that I respect it fully and have no dispute with it being a Best Picture contender. It is deserving, in part because it knows exactly how to deal its hand.

King’s Speech star Colin Firth, director Tom Hooper at today’s honorary luncheon, which

The co-hosts of the event were journalist and former London Times editor Harold Evans and author Amanda Foreman (Georgina, Duchess of Devonshire and A World on Fire). At midpoint Evans got up and riffed on the film, singing its praises and noting that he’s senior enough to remember listening to the actual King George (i.e., Firth’s character) on British radio. He was followed by a q & a between Foreman, Firth and Hooper.

Also attending were Harvey Weinstein, distributor of The King’s Speech, CNN’s new prime-time TV interview guy Piers Morgan (i.e., Larry King‘s British replacement), King’s Speech costar Jennifer Ehle (i.e., Geoffrey Rush’s wife), screenwriters Geoffrey Fletcher (Precious) and Stephen Schiff (Wall Street 2) and the usual ragtag journalist types.

CNN’s Piers Morgan — I should have asked for his tablemate’s name but didn’t.

(l. to r.) Tom Hooper, Amanda Foreman, Colin Firth — Monday, 1.10, 1:35 pm.

Forbes guy Bill McCuddy, Tom Hooper

King’s Speech event co-host Harold Evans.

True Grit co-directors Joel and Ethan Coen didn’t make the list of five Best Director nominees from the Directors Guild of America, which broke a few minutes ago. David Fincher, Tom Hooper, Darren Aronofsky, Christopher Nolan and David O. Russell are the DGA nominees, and if I have to tell you which films they directed then I don’t know what.

Others who didn’t make the cut include 127 Hours maestro Danny Boyle (the faintings did him in), The Kids Are All Right‘s Lisa Cholodenko (half expected) and Winter’s Bone director Debra Granik…tough, but somebody had to get left off.

It’s mildly interesting that The Alliance of Women Film Journalists has given its Best Film award to The Social Network despite early griping from some female critics that the David Fincher/Aaron Sorkin film pushed sexist stereotypes (which really didn’t add up when you factored in the strength of character and acute intelligence of Rooney Mara and the two women who played the deposition attorneys…hell, even Eduardo’s Asian girlfriend wasn’t terribly problematic).

Where were they going to go? What other film could the AWFJ champion at this stage of the game and still look credible?

I still think using the term “EDA Awards” is odd and a stopper since you have to Google it to understand the meaning. EDA is “an acronym for ‘Excellent Dynamic Activism,'” one site explains, “and the namesake of actress Eda Reiss Merin, mother of AWFJ co-founder Jennifer Merin.” I still don’t get it. EDA + ERM + AWFJ = alphabet soup

The great Peter Yates, bringer of the legendary Bullitt car chase, died in London yesterday at age 82. He was a highly respected craftsman and genre guy who wasn’t an auteur but really kicked ass as “Peter Yates” for about 15 years. And when he was good, he was as good as it got in his realm, which is to say intelligent urban crime movies about guys in tight spots, and always straight, plain and pared-down. He was an old-school, no b.s. professional.

Yates was lucky to have come along when he did and find his metier at a time when action films could be natural and reality-driven, before the Michael Bay aesthetic took things into a hyper-edited cartoon realm and completely polluted the action-film world and reset the rules so that nothing meant anything. Bleccch.

Yates’ directing career was alive and kicking for 42 years (from 1962 to 2004) but when you boil it all down he hit triples and/or homers only six times — with Robbery (’67), Bullitt (’68), The Hot Rock (’72 — a sublime male-bonding escapist fantasy), The Friends of Eddie Coyle (’73 — his absolute finest), Breaking Away (’79 — easily his most joyful and emotionally wholesome film) and Eyewitness (’81).

And that was it. Six films! If you want to be really tough about it you’d have to demote Robbery, The Hot Rock and Eyewitness down to the very-good-but-not-legendary file, so that leaves three. An entire career and the respect of everyone who knows anything about film stemming from Bullitt, Coyle and Breaking Away. Okay, add The Deep (i.e., the homina-homina over Jacqueline Bisset‘s soaking wet T-shirt) for a grand total of seven, but the rest were good-enoughs, duds and place-holders. And that’s okay. That’s how it goes. Quantity is overrated, quality endures.

All I know for sure is that I’ve got a Hot Rock DVD, a Criterion Eddie Coyle DVD and a Bluray Bullitt sitting on my bookshelf, and that makes me feel very content and right-with-the-world somehow.

I’m sorry but I thought Yates’ adaptation of The Dresser was just okay. He let Albert Finney get too hammy, I thought. I had seen the play twice (once in London with Tom Courtenay and Freddie Jones) and it just didn’t measure up the way it could have.

Things I love about the Bullitt car chase: (a) the sight of late ’60s muscle cars, (b) the wonderfully unmuffled engines, (c) both cars sliding sidewards and burning rubber as they corner, (c) the bad guys’ car side-swiping parked cars two or three times, (d) those hubcaps flying off as a result, (e) no schoolkids, women pushing baby carriages and senior citizens crossing streets at the wrong time, (e) again, those clouds of white smoke, (f) the unnaturally amplified shock-absorbers-gone-to-shit sound when the cars leave the pavement and come crashing down, (g) the cars that occasionally get in McQueen’s way and the super-cool way he drives around them without cussing or clenching his teeth, (h) those little around-the-hips seat belts, (i) no oncoming traffic to crash into high-speed downhill passing or sliding hairpin turns, (j) McQueen’s fastback Mustang twice sliding off the road onto dirt shoulders during the highway-chase section, and the second time into an irrigation ditch, and (k) the idea of scores if not hundreds of Haight-Ashbury kids tripping their brains out as this scene (and Bullit itself) was shot and Yates not paying the slightest attention, not even with a sideways glance.

Below is a Movie City News headline on the new wifi deal at Sundance 2011 which, according to the Wall Street Journal‘s Michelle Kung, will offer three levels of service: (a) generic free wifi available for all (which, let’s face it, will probably be mildly shitty), (b) elite VIP wifi requiring a password, and (c) special Sundance staffer wifi with their own special login.

For Oscar Poker #15, Sasha and I welcomed columnist Scott Feinberg. It began with a general discussion of the shooting of Rep. Gabrielle Giffords and the feral emotions that have been whipped into a lather by the rightwing media monster machine. And then we banked into a discussion of Social Network Oscar-pundit denial and an examination of this curious psychology and Feinberg’s contention that “there is no generic Oscar-type movie anymore.” Here’s a non-iTunes link.

This is my final edit of the best films of 2011, as well as the most significant and/or the ones certainly worth seeing and perhaps more so, minus all the empty comic-book CG crap that will do little or nothing but bring spiritual poison and/or foolish repetition and distraction to the world. Okay, I’ve listed two cheap-ass CG entries — Paul and Cowboys & Aliens — but that’s all. I’ve got three groupings here, alphabetical listings within each. This is the final post before putting up the new 2011 Oscar Balloon sometime Monday or Tuesday:

Major League (15):

1. The Descendants (d: Alexander Payne), cast: George Clooney, Judy Greer, Beau Bridges, Matthew Lillard, Shailene Woodley, Robert Forster, Michael Ontkean;

2. Extremely Loud and Incredibly Close (d: Stephen Daldry, screenwriter: Eric Roth), cast: Tom Hanks, Sandra Bullock, Thomas Horn;

3. The Girl With The Dragon Tattoo (d: David Fincher), cast: Rooney Mara, Daniel Craig, Christopher Plummer, Stellan Skarsgard, Robin Wright, Joely Richardson, Steven Berkoff;

4. God of Carnage (d: Roman Polanski ), cast: Jodie Foster, John C. Reilly, Kate Winslet, Christoph Waltz ;

5. The Ides of March (d: George Clooney), cast: Ryan Gosling, George Clooney, Marisa Tomei, Evan Rachel Wood, Paul Giamatti, Philip Seymour Hoffman, Max Minghella, Jeffrey Wright;

6. The Impossible (d: Juan Antonio Bayona), cast: Ewan McGregor, Naomi Watts, Gitte Julsrud, Marta Etura, Tom Holland;

7. The Iron Lady (d: Phyllida Lloyd), cast: Meryl Streep, Jim Broadbent, Olivia Colman;

8. J. Edgar (d: Clint Eastwood), cast: Leonardo DiCaprio, Armie Hammer, Charlize Theron, Judi Dench, Damon Herriman;

9. Larry Crowne (d: Tom Hanks), cast: Tom Hanks, Julia Roberts, Bryan Cranston, Nia Vardalos, Pam Grier;

10. Moneyball (d: Bennett Miller), cast: Brad Pitt, Jonah Hill, Robin Wright, Philip Seymour Hoffman, Chris Pratt, Tammy Blanchard;

11. Shame (d: Steve McQueen), cast: Michael Fassbender, Carey Mulligan, James Badge Dale;

12. The Tree of Life (d: Terrence Malick). Cast: Brad Pitt, Sean Penn, Jessica Chastain, Joanna Going, Fiona Shaw;

13. The War Horse (d: Steven Spielberg), cast: Jeremy Irvine, Tom Hiddleston, David Thewlis, Emily Watson, Peter Mullan;

14. We Bought A Zoo (d: Cameron Crowe, w: Crowe, Aline Brosh Mckenna), cast: Matt Damon, Scarlett Johansson, Elle Fanning, Patrick Fugit, Thomas Haden Church, Angus Macfadyen;

15. Young Adult (d: Jason Reitman, w: Diablo Cody). Cast: Charlize Theron, Patrick Wilson, Elizabeth Reaser, Collette Wolfe, Patton Oswalt.

High Expectations, Wait & See (20):

1. Contagion (d: Steven Soderbergh). Cast: Matt Damon, Marion Cotillard, Gwyneth Paltrow, Kate Winslet, Jude Law, Bryan Cranston, Laurence Fishburne, Jennifer Ehle, John Hawkes;

2. A Dangerous Method (d: David Cronenberg) , cast: Viggo Mortensen, Michael Fassbender, Keira Knightley, Vincent Cassel;

3. Drive (d: Nicolas Winding Refn), cast: Ryan Gosling, Carey Mulligan, Christina Hendricks, Ron Perlman, Bryan Cranston, Albert Brooks;

4. Haywire (d: Steven Soderbergh, w: Lem Dobbs), cast: Gina Carano, Channing Tatum, Michael Fassbender, Ewan McGregor, Michael Douglas, Antonio Banderas, Bill Paxton, Mathieu Kassovitz;

5. Hanna (d: Joe Wright), cast: Saoirse Ronan, Cate Blanchett, Eric Bana, Olivia Williams, Tom Hollander;

6. Hugo Cabret (d: Martin Scorsese), cast: Asa Butterfield, Chloe Moretz, Jude Law, Richard Griffiths, Emily Mortimer, Ben Kingsley, Sacha Baron Cohen, Christopher Lee, Ray Winstone, Michael Stuhlbarg;

7. Jane Eyre (d: Cary Fukunaga), cast: Mia Wasikowska, Michael Fassbender, Jamie Bell, Judi Dench, Sally Hawkins;

8. Live With It a.k.a. formerly I’m With Cancer (d: Jonathan Levine), cast: Joseph Gordon-Levitt, Anna Kendrick, Seth Rogen, Bryce Dallas Howard, Anjelica Huston;

9. Melancholia (d: Lars Von Trier), cast: Kirsten Dunst , Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgard, Stellan Skarsgard;

10. Mildred Pierce (d: Todd Haynes), cast: Kate Winslet, Evan Rachel Wood, Guy Pearce, Melissa Leo, Victor Slezak, Daniel London, Mare Winningham.

11. Nanjing Heroes (d: Zhang Yimou). Cast: Christian Bale;

12. On The Road (d: Walter Salles), cast: Garrett Hedlund, Kristen Stewart, Sam Riley, Amy Adams, Steve Buscemi, Kirsten Dunst, Viggo Mortensen, Terrence Howard, Alice Braga;

13. One Day (d: Lone Scherfig). cast: Anne Hathaway, Jim Sturgess, Patricia Clarkson, Jodie Whittaker, Georgia King;

14. Rampart (d: Oren Moverman). cast: Steve Buscemi, Robin Wright, Sigourney Weaver, Woody Harrelson, Ben Foster, Brie Larson;

15. The Skin That I Inhabit (d: Pedro Almodovar), cast: Antonio Banderas, Elena Anaya, Marisa Paredes;

16. Straw Dogs (d: Rod Lurie), cast: James Marsden, Kate Bosworth, Alexander Skarsgaard, James Woods, Dominic Purcell, Willa Holland;

17. This Must Be The Place (d: Paolo Sorrentino), cast: Sean Penn, Frances McDormand, Harry Dean Stanton, Shea Whigham, Judd Hirsch, Kerry Condon;

18. Tinker, Tailor, Soldier, Spy (d: Thomas Alfredson), cast: Gary Oldman, Tom Hardy, Colin Firth, Mark Strong, Stephen Graham, Benedict Cumberbatch, Ciaran Hinds, Christian McKay;

19. The Whistleblower (d: Larysa Kondracki), cast: Rachel Weisz, Monica Bellucci, Benedict Cumberbatch, Vanessa Redgrave, David Strathairn;

20. Wuthering Heights (d: Andrea Arnold). Cast: James Howson, Kaya Scodelario, Nichola Burley, Oliver Milburn, Steve Evets, Amy Wren.

Potential Quality and/or Elite Popcorn (25):

1. Albert Nobbs (d: Rodrigo Garcia), cast: Glenn Close, Aaron Johnson, Mia Wasikowska, Jonathan Rhys Meyers, Brendan Gleeson, Brenda Fricker, Janet McTeer;

2. At-Swim-Two-Birds (d: Brendan Gleeson), cast: Cillian Murphy, Michael Fassbender, Colin Farrell , Jonathan Rhys Meyers, Brendan Gleeson, Gabriel Byrne;

3. The Beaver (d: Jodie Foster), cast: Mel Gibson, Foster, Jennifer Lawrence, Anton Yelchin;

4. Blackthorne (d: Mateo Gil), cast: Sam Shepard, Nikolaj Coster-Waldau, Stephen Rea;

5. Butter (d: Jim Field Smith), cast: Olivia Wildem, Ashley Greene, Hugh Jackman, Jennifer Garner, Alicia Silverstone;

6. Cowboys & Aliens (d: Jon Favreau). cast: Daniel Craig, Harrison Ford, Olivia Wilde, Olivia Wilde, Sam Rockwell, Noah Ringer, Paul Dano;

7. Damsels in Distress (d: Whit Stillman), cast: Adam Brody, Greta Gerwig, Analeigh Tipton, Megalyn Echikunwoke, Billy Magnussen, Caitlin Fitzgerald.

8. Crazy, Stupid, Love (d: Glenn Ficarra, John Requa), cast: Emma Stone, Ryan Gosling, Steve Carell, Marisa Tomei, Julianne Moore, Kevin Bacon;

9. Dream House (d: Jim Sheridan), cast: Daniel Craig;

10. Extraterrestre (d: Nacho Vigalondo), d: Michelle Jenner, Carlos Areces, Raul Cimas;

11. The Help (d: Tate Taylor), cast: Emma Stone, Jessica Chastain, Bryce Dallas Howard, Mike Vogel, Allison Janney, Sissy Spacek, Viola Davis;

12. Hobo With A Shotgun (d: Jason Eisener), cast: Rutger Hauer:

13. Midnight in Paris (d: Woody Allen), cast: Rachel McAdams, Michael Sheen, Marion Cotillard, Owen Wilson, Alison Pill, Adrien Brody, Kathy Bates;

14. The Monk (d: Dominic Moll), cast: Vincent Cassel, Geraldine Chaplin, Sergi Lopez, Deborah Francois, Roxane Duran;

15. My Week With Marilyn (d: Simon Curtis), cast: Michelle Williams, Kenneth Branagh, Eddie Redmayne, Emma Watson, Judi Dench, Dougray Scott, Julia Ormond, Dominic Cooper, Derek Jacobi;

16. Now (d: Andrew Niccol), cast: Olivia Wilde, Cillian Murphy, Raymond Leon, Amanda Seyfried;

17. The Oranges (d: Julian Farino), cast: Leighton Meester, Alia Shawkat, Hugh Laurie, Catherine Keener, Adam Brody;

18. Paul (d: Gregory Mottola), cast: Simon Pegg, Jane Lynch, voice of Seth Rogen, Kristen Wiig, Sigourney Weaver. Jason Bateman, Blythe Danner, Bill Hader;

19. Red Riding Hood (d: Catherine Hardwicke), cast: Amanda Seyfried, Lukas Haas, Gary Oldman, Virginia Madsen, Michael Shanks, Julie Christie;

20. Source Code (d: Duncan Jones), cast: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright;

21. Super (d: James Gunn), cast: Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon, Gregg Henry;

22. Super 8 (d: J.J. Abrams), cast: Elle Fanning, Noah Emmerich, Amanda Michalka, Kyle Chandler, Ron Eldard, Zach Mill;

23. Take This Waltz (d: Sarah Polley), cast: Michelle Williams, Seth Rogen, Sarah Silverman;

24. Water for Elephants (d: Francis Lawrence), cast: Robert Pattinson, Reese Witherspoon, Christoph Waltz, Hal Holbrook;

25. We Need To Talk About Kevin (d: Lynne Ramsay), cast: Tilda Swinton, John C. Reilly, Ezra Miller, Siobhan Fallon.

The Australian‘s Michael Bodey reports that while Black Swan director Darren Aronofsky was thinking about the ballet world, he caught a production of Swan Lake and, of course, realized one performer danced both the black and white swans. ‘When I started to explore it, the ballet world actually does have a lot of gothic and horror elements, not just the world but the ballets themselves,’ Aronofsky says. ‘Look at all the great ballets, from Romeo and Juliet to Sleeping Beauty to Swan Lake. They’re [all] these big kind of tragic stories.”

)l. to r.) Black Swan costars Vincent Cassel, Natalie Portman, director Darren Aronofsky.

“The reality is that there is no ‘Oscar-type’ movie anymore. It is no longer good enough to make a movie that simply checks off the boxes of things that pull at the heartstrings of voters — period pieces, costume dramas, Holocaust movies, etc. The Academy has never been younger, hipper or more in-tune with critics than they have been over the past decade.

“Sure, some members are still living in the past and susceptible to pure and simple emotional manipulation — they’re the ones responsible for nominating something like The Blind Side (2009) every once in a blue moon — but, at the end of the day, today’s members respond to quality, above all else, no matter what packaging it comes in.” — Scott Feinberg in a 12.9 post titled “The World Has Moved On — Catch Up!” (Or as Uma Thurman‘s Pulp Fiction character would say, “Ketchup!”)